Dying for a Laugh

Disaster Movies and the Camp Imagination (livre en anglais)

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de Ken Feil

Type: Etudes
Sujet: Genre > Catastrophe
Mots Clés: film catastrophe, humour
Année d'édition: 2006
Editeur: Wesleyan University Press
Langue: anglais

Taille du livre

Format

Broché • 272 pages
16,5 x 22,5 cm

ISBN-10 ISBN-13

0-8195-6792-2
978-0-8195-6792-5

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Description de l'ouvrage :
First study of disaster movies through reception theory and queer theory.

Dying for a Laugh looks at the evolution of the contemporary disaster film from the 1970s to the present. Ken Feil argues that contemporary camp culture has influenced and reformed the conventions of the 1970s disaster film, in both its production and reception. The book chronicles how the genre rose to prominence, sank into critical and popular disrepute, and became unintentionally campy. Through close readings of films including The Poseidon Adventure, The Swarm, Ghostbusters, Independence Day, and Mars Attacks!, along with film reviews, entertainment reports and publicity materials as evidence, Feil shows that the renewal of the disaster genre in the 1990s hinged on self-parody, ironic self-consciousness, and state-of-the-art effects. Feil also looks at the impact of 9/11 on the genre's campy, sadistic pleasures through movies such as The Sum of All Fears, The Core, and The Day After Tomorrow. This analysis of "high concept camp" draws from diverse methodologies and theories, such as historical reception, textual analysis, neoformalism, political economy, genre analysis, feminism, and queer theory.

À propos de l'auteur :
KEN FEIL teaches in the Department of Visual and Media Arts at Emerson College.

Revue de Presse :
"Amusing, and exceptionally smart, Dying for a Laugh shrewdly transforms the last quarter century of Hollywood movie-making into a complex formula of disaster spectacle, high concept, mass camp, and queer traces."―Janet Staiger, author of Perverse Spectators

"Amusing, and exceptionally smart, Dying for a Laugh shrewdly transforms the last quarter century of Hollywood movie-making into a complex formula of disaster spectacle, high concept, mass camp, and queer traces."―Janet Staiger, author of Perverse Spectators

"Disaster movies embrace both the horror and the comic absurdity at work in contemporary life, and Ken Feil's book, through the lens of camp, furnishes us with a compelling explanation as to why this is so. This is a witty, smart and sophisticated book."―Matthew Tinkcom, author of Working Like a Homosexual

Voir le site internet de l'éditeur Wesleyan University Press

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