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Bad Seeds and Holy Terrors

The Child Villains of Horror Film (livre en anglais)

de Dominic Lennard

Type
Etudes
Sujet
GenreHorreur
Mots Clés
horreur, enfants
Année d'édition
2015
1ere édition
2014
Editeur
State University of New York Press
Collection
SUNY series, Horizons of Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 195 pages
15,5 x 23 cm
ISBN
978-1-4384-5328-6
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Description de l'ouvrage :
Examines the complexities and contradictions that arise when the monsters in the movies are children.

Since the 1950s, children have provided some of horror's most effective and enduring villains, from dainty psychopath Rhoda Penmark of The Bad Seed (1956) and spectacularly possessed Regan MacNeil of The Exorcist (1973) to psychic ghost-girl Samara of The Ring (2002) and adopted terror Esther of Orphan (2009). Using a variety of critical approaches, including those of cinema studies, cultural studies, gender studies, and psychoanalysis, Bad Seeds and Holy Terrors offers the first full-length study of these child monsters. In doing so, the book highlights horror as a topic of analysis that is especially pertinent socially and politically, exposing the genre as a site of deep ambivalence toward—and even hatred of—children.

À propos de l'auteur :
Dominic Lennard is Associate Lecturer in the Centre for University Pathways and Partnerships at the University of Tasmania, Australia.

Revue de Presse :
"Adding unique insights while revising well-trodden critical ground, the value of Lennard's book is in its eloquent and well-researched consolidation of existing scholarship in the field, making it a useful introductory text for researchers and students. " — Screening the Past

"Deftly organized, elegantly written, and graced throughout with numerous stills and frame blowups, Bad Seeds and Holy Terrors has something to offer both the lay reader and the scholar. " — CHOICE

"This is impeccably well researched and presented. It holds its own at the top of film studies scholarship. Sprightly in its survey across key areas of cultural anxiety and able to draw on a range of lucid examples, Lennard produces sophisticated and complex extended analyses where necessary. A pleasure to read. " — Linda Ruth Williams, University of Southampton, United Kingdom

Voir le site internet de l'éditeur State University of New York Press

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