Les livres en français sont sur www.livres-cinema.info
The Slapstick Camera
Hollywood and the Comedy of Self-Reference (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium.
Slapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick is often animated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium—from Buster Keaton's encounter with the film screen in Sherlock Jr. (1924) to Harpo Marx's lip-sync turn with a phonograph in Monkey Business (1931) to Jerry Lewis's film-on-film performance in The Errand Boy (1961). The Slapstick Camera follows the observation of philosopher Stanley Cavell that self-reference is one way in which "film exists in a state of philosophy." By moving historically across the studio era, the book looks at a series of comedies that play with the changing technologies and economic practices behind film production and describes how comedians offered their own understanding of the nature of film and filmmaking. Hilsabeck locates the hidden intricacies of Hollywood cinema in a place where one might least expect them—the clowns, idiots, and scoundrels of slapstick comedy.
À propos de l'auteur :
Burke Hilsabeck is Assistant Professor of English at the University of Northern Colorado.
Revue de Presse :
"…the book is an edifying contribution to the scholarship on classic Hollywood film." — CHOICE
"From its analysis of the vaudevillian Victorian origins to early Hollywood expressions, and from defining classical performances by the likes of Keaton to recent postmodern recapitulations, Hilsabeck's theoretically rigorous and wide-ranging study masterfully weaves a path through the historical, technical, and philosophical art of slapstick comedy. A must for scholars working in this field." — Daniel Varndell, author of Hollywood Remakes, Deleuze and the Grandfather Paradox
Voir le site internet de l'éditeur State University of New York Press
> Sur un thème proche :
The Comedy of Philosophy (2008)
Sense and Nonsense in Early Cinematic Slapstick
de Lisa Trahair
Sujet : Cinéma muet
Harry Langdon (2017)
King of Silent Comedy
de Gabriella Oldham et Mabel Langdon
Sujet : Acteur > Harry Langdon
Larry Semon, Daredevil Comedian of the Silent Screen (2015)
A Biography and Filmography
Sujet : Acteur > Larry Semon
Retour
