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Playful Frames:Styles of Widescreen Cinema

Playful Frames (2023)

Styles of Widescreen Cinema

de Steven Rybin

Sujet : Technique > Directeur de la photo

The Filmmaker's Eye:Learning (and Breaking) the Rules of Cinematic Composition

The Filmmaker's Eye (2022)

Learning (and Breaking) the Rules of Cinematic Composition

de Gustavo Mercado

Sujet : Technique > Directeur de la photo

Left or Right?:Directing Lateral Movement in Film

Left or Right? (2021)

Directing Lateral Movement in Film

de Lubomir Kocka

Sujet : Technique > Directeur de la photo

Bigger Than Life:The Close-Up and Scale in the Cinema

Bigger Than Life (2022)

The Close-Up and Scale in the Cinema

de Mary Ann Doane

Sujet : Technique > Directeur de la photo

The Cinematographer's Voice:Insights into the World of Visual Storytelling

The Cinematographer's Voice (2022)

Insights into the World of Visual Storytelling

Dir. Lindsay Coleman et Roberto Schaefer

Sujet : Technique > Directeur de la photo

Cinematography:Theory and Practice: For Cinematographers and Directors

Cinematography (2021)

Theory and Practice: For Cinematographers and Directors

de Blain Brown

Sujet : Technique > Directeur de la photo

The Zoom

Drama at the Touch of a Lever (livre en anglais)

de Nick Hall

Type
Essais
Sujet
TechniqueDirecteur de la photo
Mots Clés
cinématographie, plans
Année d'édition
2018
Editeur
Rutgers University Press
Collection
Techniques of the Moving Image
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 226 pages
16 x 24 cm
ISBN
978-0-8135-8720-2
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Description de l'ouvrage :
From the queasy zooms in Alfred Hitchcock’s Vertigo to the avant-garde mystery of Michael Snow’s Wavelength, from the excitement of televised baseball to the drama of the political convention, the zoom shot is instantly recognizable and highly controversial. In The Zoom, Nick Hall traces the century-spanning history of the zoom lens in American film and television. From late 1920s silent features to the psychedelic experiments of the 1960s and beyond, the book describes how inventors battled to provide film and television studios with practical zoom lenses, and how cinematographers clashed over the right ways to use the new zooms. Hall demonstrates how the zoom brought life and energy to cinema decades before the zoom boom of the 1970s and reveals how the zoom continues to play a vital and often overlooked role in the production of contemporary film and television.

À propos de l'auteur :
NICK HALL is a research officer in the Department of Media Arts at Royal Holloway, University of London in the United Kingdom.

Revue de Presse :
"Outstanding and engaging, Zoom makes a significant contribution to the scholarship of cinematography, allowing scholars to see zoom technology afresh."
— Patrick Keating

"New Scholarly Books: Weekly Book List, June 8," by Nina C. Ayoub
— Chronicle of Higher Education

Voir le site internet de l'éditeur Rutgers University Press

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