The Address of the Eye

A Phenomenology of Film Experience (livre en anglais)

Ajouter à ma liste

de Vivian Sobchack

Type: Essais
Sujet: Théorie
Mots Clés: théorie, spectateur, perception
Année d'édition: 1991
Editeur: Princeton University Press
Langue: anglais

Taille du livre

Format

Broché • 354 pages
15,5 x 23 cm

ISBN-10 ISBN-13

0-691-00874-4
978-0-691-00874-5

Appréciation

(0 vote)

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.

Voir le site internet de l'éditeur Princeton University Press

> Du même auteur :