Les livres en français sont sur www.livres-cinema.info
MENU   

Interpreting Films

Studies in the Historical Reception of American Cinema (livre en anglais)

de Janet Staiger

Type
Essais
Sujet
Sociologie
Mots Clés
sociologie, influence du cinéma, philosophie, théorie
Année d'édition
1992
Editeur
Princeton University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 290 pages
16,5 x 25 cm
ISBN-10
ISBN-13
0-691-00616-4
978-0-691-00616-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. After proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators.

Voir le site internet de l'éditeur Princeton University Press

> Du même auteur :

The Classical Hollywood Cinema:Film Style and Mode of Production to 1960

The Classical Hollywood Cinema (2015)

Film Style and Mode of Production to 1960

de David Bordwell, Janet Staiger et Kristin Thompson

Sujet : Studio > Hollywood

Bad Women:Regulating Sexuality in Early American Cinema

Bad Women (1995)

Regulating Sexuality in Early American Cinema

de Janet Staiger

Sujet : Cinéma muet

> Sur un thème proche :

Cinema Pessimism:A Political Theory of Representation and Reciprocity

Cinema Pessimism (2019)

A Political Theory of Representation and Reciprocity

de Joshua Foa Dienstag

Sujet : Sociologie

Screen Deep:How film and TV can solve racism and save the world

Screen Deep (2024)

How film and TV can solve racism and save the world

de Ellen E. Jones

Sujet : Sociologie

Immortal Films:

Immortal Films (2022)

"Casablanca" and the Afterlife of a Hollywood Classic

de Barbara Klinger

Sujet : Sociologie

Film Audiences:Personal Journeys with Film

Film Audiences (2022)

Personal Journeys with Film

de Bridgette Wessels, Peter Merrington et Matthew Hanchard

Sujet : Sociologie

Planetary Cinema:Film, Media and the Earth

Planetary Cinema (2021)

Film, Media and the Earth

de Tiago de Luca

Sujet : Sociologie

The Magic Lantern at Work:Witnessing, Persuading, Experiencing and Connecting

The Magic Lantern at Work (2021)

Witnessing, Persuading, Experiencing and Connecting

Dir. Martyn Jolly et Elisa deCourcy

Sujet : Sociologie

Beyond the Looking Glass:Narcissism and Female Stardom in Studio-Era Hollywood

Beyond the Looking Glass (2014)

Narcissism and Female Stardom in Studio-Era Hollywood

de Ana Salzberg

Sujet : Sociologie

The Big Screen:The Story of the Movies

The Big Screen (2012)

The Story of the Movies

de David Thomson

Sujet : Sociologie

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •