Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
Stalinist Cinema and the Production of History (2008)
Museum of the Revolution
Sujet : Pays > Russie / URSS
Men Out of Focus (2021)
The Soviet Masculinity Crisis in the Long Sixties
Sujet : Pays > Russie / URSS
Yellow Crocodiles and Blue Oranges (2005)
Russian Animated Film since World War II
Sujet : Pays > Russie / URSS
A Siberian History of Soviet Film (2024)
Manufacturing Visions of the Indigenous Peoples of the North
Sujet : Pays > Russie / URSS
Stalin's Final Films (2024)
Cinema, Socialist Realism, and Soviet Postwar Reality, 1945-1953
Sujet : Pays > Russie / URSS
Soviet Films of the 1970s and Early 1980s (2023)
Conformity and Non-Conformity Amidst Stagnation Decay
Dir. Marina Rojavin et Tim Harte
Sujet : Pays > Russie / URSS
Feeling Revolution (2020)
Cinema, Genre, and the Politics of Affect under Stalin
Sujet : Pays > Russie / URSS
The Film Factory (2015)
Russian and Soviet Cinema in Documents 1896-1939
Dir. Richard Taylor et Ian Christie
Sujet : Pays > Russie / URSS
The Cinema of Russia and the Former Soviet Union (2007)
Dir. Birgit Beumers
Sujet : Pays > Russie / URSS
New Soviet Man
Gender and Masculinity in Stalinst Soviet Cinema (livre en anglais)
de John Haynes
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Description de l'ouvrage :
Cinema has long been recognised as the privileged bridge between Soviet ideologies and their mass public. Recent feminist-oriented work has drawn out the symbolic role of women in Soviet culture, but, not surprisingly, men too were expected to play their part. In this first full-length study of masculinity in Stalinist Soviet cinema, John Haynes examines the 'New Soviet Man' not only as an ideal of masculinity presented to Soviet cinemagoers, but also, precisely, as a man in his specific, and hotly debated social, cultural and political context.
A detailed analysis of Stalinist discourse sets the stage for an examination of the imagined relationship between the patriarch Stalin and his 'model sons' in the key genre cycles of the era: from the capital to the collective farms, and ultimately to the very borders of the Soviet state. Informed by contemporary and present day debates over the social and cultural significance of cinema and masculinity, New Soviet Man draws on a range of theoretical and comparative material to produce engaging and accessible readings accounting for both the appeal of, and the inherent potential for subversion within, films produced by the Stalinist culture industry.
New Soviet Man will be widely read by students and specialists in the fields of film studies, Russian and Soviet studies, gender and modern European history.
À propos de l'auteur :
John Haynes is Lecturer in Film Studies in the Department of History at the University of Essex
Voir le site internet de l'éditeur Manchester University Press
> Du même auteur :
Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 (2017)
Re-Visions
Dir. Sanja Bahun et John Haynes
Sujet : Pays > Russie / URSS
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