Les livres en français sont sur www.livres-cinema.info
MENU   

Defining Cult Movies

The Cultural Politics of Oppositional Taste (livre en anglais)

Sous la direction de Mark Jancovich, Antonio Lazario-Reboll et Julian Stringer

Type
Etudes
Sujet
Sociologie
Mots Clés
exploitation, horreur, films cultes
Année d'édition
2003
Editeur
Manchester University Press
Collection
Inside Popular Film
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 244 pages
15,5 x 23 cm
ISBN-10
ISBN-13
0-7190-6631-X
978-0-7190-6631-3
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Concentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of these definitions. Raises issues about the perception of it as an oppositional form of cinema, and of its strained relationships to mainstream cinema and the processes of institutionalisation and classification. Claims that the history of academic film studies and that of cult movie fandom are inextricably intertwined and raises fundamental questions about both cult movies themselves, and film studies as a discipline. Updates work on cult movies at a time when cult films and TV have become a central part of contemporary culture. Ranges over the full and entertaining gamut of cult films from Dario Argento, Spanish horror and Peter Jackson's New Zealand gorefests to sexploitation, kung fu and sci fi flicks, as well investigations of Sharon Stone, 'underground' and trivia.

À propos des auteurs :
Mark Jancovich is Reader and Director of the Institute of Film Studies at the University of Nottingham. Antonio Lazaro Reboll is Lector in Hispanic Studies at the University of Nottingham. Julian Stringer is Lecturer in Film Studies at the University of Nottingham. Andrew Willis is Senior Lecturer in Media and Performance at the University of Salford

Voir le site internet de l'éditeur Manchester University Press

> Des mêmes auteurs :

> Sur un thème proche :

Tales from the Cult Film Trenches:Interviews with 36 Actors from Horror, Science Fiction and Exploitation Cinema

Tales from the Cult Film Trenches (2007)

Interviews with 36 Actors from Horror, Science Fiction and Exploitation Cinema

de Louis Paul

Sujet : Acteur

House of Psychotic Women:Expanded Edition: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films

House of Psychotic Women (2024)

Expanded Edition: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films

de Kier-La Janisse

Sujet : Genre > Horreur

Reappraising Cult Horror Films:From Carnival of Souls to Last Night in Soho

Reappraising Cult Horror Films (2025)

From Carnival of Souls to Last Night in Soho

Dir. Lee Broughton

Sujet : Genre > Horreur

Extreme Asia:The Rise of Cult Cinema from the Far East

Extreme Asia (2015)

The Rise of Cult Cinema from the Far East

de Daniel Martin

Sujet : Pays > Asiatique

Children Beware!:Childhood, Horror and the PG-13 Rating

Children Beware! (2020)

Childhood, Horror and the PG-13 Rating

de Filipa Antunes

Sujet : Sociologie

Politics in Popular Movies:Rhetorical Takes on Horror, War, Thriller, and Sci-Fi Films

Politics in Popular Movies (2015)

Rhetorical Takes on Horror, War, Thriller, and Sci-Fi Films

de John S. Nelson

Sujet : Sociologie

Screening the Marquis de Sade:Pleasure, Pain and the Transgressive Body in Film

Screening the Marquis de Sade (2011)

Pleasure, Pain and the Transgressive Body in Film

de Lindsay Anne Hallam

Sujet : Sociologie

11794 livres recensés   •   (c)2024-2025 cinemabooks.info   •