Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
The Documentary Audit (2025)
Listening and the Limits of Accountability
de Pooja Rangan
Sujet : Genre > Documentaire
Three Documentary Filmmakers (2009)
Errol Morris, Ross McElwee, Jean Rouch
Dir. William Rothman
Sujet : Genre > Documentaire
Faking It (2001)
Mock-Documentary and the Subversion of Factuality
de Craig Hight et Jane Roscoe
Sujet : Genre > Documentaire
Representing Reality (1992)
Issues and Concepts in Documentary
de Bill Nichols
Sujet : Genre > Documentaire
Truth in Visual Media (2023)
Aesthetics, Ethics and Politics
Dir. Marguerite La Caze et Ted Nannicelli
Sujet : Théorie
The Representation of Perpetrators in Global Documentary Film (2025)
Dir. Fernando Canet
Sujet : Genre > Documentaire
The Art of the Observer
A Personal View of Documentary (livre en anglais)
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Description de l'ouvrage :
The art of the observer is a personal guide to documentary filmmaking, based on the author's years of pioneering work in the fields of ethnographic and documentary cinema. It stands in sharp contrast to books of academic film criticism and handbooks on visual research methods, being based extensively on concrete examples from the author's own filmmaking experience. The book places particular emphasis on observational filmmaking and the ways in which this approach is distinct from other forms of documentary. It offers both practical insights and reflections on what it means, in both emotional and intellectual terms, to attempt to represent the lives of others. The book makes clear that documentary cinema is not simply a matter of recording reality, but of artfully organising the filmmaker's observations in ways that reveal the complex patterns of social life.
À propos de l'auteur :
David MacDougall is Honorary Professor in the Research School of Humanities and the Arts at the Australian National University, Canberra
Revue de Presse :
'Particularly gratifying are the author's explorations of the work of his amateur collaborators, as in the chapter on films children in his video workshops made between 2011 and 2016. He respects their work and points of view and seems to have genuinely meditated on their insights without being patronizing. Mixing memory and analysis, this engaging book helps readers see the filmmaker and his craft anew.'
Choice
Reprinted with permission from Choice Reviews. All rights reserved. Copyright by the American Library Association.
Voir le site internet de l'éditeur Manchester University Press
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