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Early Cinema Today

The Art of Programming and Live Performance (livre en anglais)

Sous la direction de Martin Loiperdinger

Type
Etudes
Sujet
Cinéma muet
Mots Clés
débuts du cinéma, histoire du cinéma
Année d'édition
2012
Editeur
John Libbey Publishing
Collection
Kintop Studies in Early Cinema
#1
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 160 pages
15 x 22,5 cm
ISBN
978-0-86196-702-5
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Description de l'ouvrage :
Invented in the 1890s and premiered in Paris by the Lumière brothers, the cinematograph along with Louis Le Prince's single-lens camera projector are considered by film historians to be the precursors to modern-day motion picture devices. These early movies were often shown in town halls, on fairgrounds, and in theaters, requiring special showmanship skills to effectively work the equipment and entertain onlookers. Within the last decade, film archives and film festivals have unearthed this lost art and have featured outstanding examples of the culture of early cinema reconfigured for today's audiences.

À propos de l'auteur :
Martin Loiperdinger is Professor of Media Studies at Trier University and has published articles, books, television shows, exhibitions, and DVDs on the topic of early cinema.

Revue de Presse :
"[T]oday's programming of early cinema . . . has to consider the audience if it wants to be successful in making the visual heritage available to as many people as possible. Early Cinema Today shows in a fascinating, versatile, and refreshing way how this can be implemented. . . [This book] provides practitioners with innovative ideas on how to engage potential audiences, while providing scholars with valuable insight into how film archivists and curators shape perceptions of early cinema and, through this, the direction of film scholarship."―The Moving Image

"[This] collection presents a wide range of approaches to the programming of early film, both historically and in the present-day context, while sounding a vibrant and timely call to review the relation that has evolved between scholars, archivists, and film programmers in matters relating to the programming of early cinema today."―Film History

Voir le site internet de l'éditeur John Libbey Publishing

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