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Picturing Argentina:Myths, Movies, and the Peronist Vision

Picturing Argentina (2022)

Myths, Movies, and the Peronist Vision

de Currie K. Thompson

Sujet : Pays > Amérique latine

Hear Me with Your Eyes:Women, Visions, and Voices in Argentine Cinema

Hear Me with Your Eyes (2022)

Women, Visions, and Voices in Argentine Cinema

de Ana Forcinito

Sujet : Pays > Amérique latine

Nation, Culture and Class in Argentine Cinema:Crisis and Representation (1998-2005)

Nation, Culture and Class in Argentine Cinema (2020)

Crisis and Representation (1998-2005)

de Santiago Oyarzabal

Sujet : Pays > Amérique latine

Before Bemberg:Women Filmmakers in Argentina

Before Bemberg (2020)

Women Filmmakers in Argentina

de Matt Losada

Sujet : Pays > Amérique latine

The Projected Nation:Argentine Cinema and the Social Margins

The Projected Nation (2019)

Argentine Cinema and the Social Margins

de Matt Losada

Sujet : Pays > Amérique latine

Affectual Erasure:Representations of Indigenous Peoples in Argentine Cinema

Affectual Erasure (2019)

Representations of Indigenous Peoples in Argentine Cinema

de Cynthia Margarita Tompkins

Sujet : Pays > Amérique latine

Blood Circuits:Contemporary Argentine Horror Cinema

Blood Circuits (2019)

Contemporary Argentine Horror Cinema

de Jonathan Risner

Sujet : Pays > Amérique latine

Rethinking Testimonial Cinema in Postdictatorship Argentina

Beyond Memory Fatigue (livre en anglais)

de Veronica Garibotto

Type
Etudes
Sujet
PaysAmérique latine
Mots Clés
Argentine, modernisme
Année d'édition
2019
Editeur
Indiana University Press
Collection
New Directions in National Cinemas
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 216 pages
14,5 x 23 cm
ISBN
978-0-253-03850-0
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Description de l'ouvrage :
For roughly two decades after the collapse of the military regime in 1983, testimonial narrative was viewed and received as a privileged genre in Argentina. Today, however, academics and public intellectuals are experiencing "memory fatigue," a backlash against the concepts of memory and trauma, just as memory and testimonial films have reached the center of Argentinian public discourse. In Rethinking Testimonial Cinema in Postdictatorship Argentina, Verónica Garibotto looks at the causes for this reticence and argues that, rather than discarding memory texts for their repetitive excess, it is necessary to acknowledge them and their exhaustion as discourses of the present.
By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony, and the ideological uses of documentary and fiction. She argues that recurrent concepts—such as trauma, mourning, memory, and subalternity—miss how testimonial films have changed over time, shifting from subaltern narratives to official, hegemonic, and iconic accounts. Her work highlights the urgent need to continue to study these types of narratives, particularly at a time when military dictatorships have become entrenched in Latin America and memory narratives proliferate worldwide. Although Argentina is Garibotto's focus, her theory can be adapted to other contexts in which narratives about recent political conflicts have shifted from alternative versions of history to official, hegemonic accounts—such as in Spanish, Chilean, Uruguayan, Brazilian, South African, and Holocaust testimonies. Garibotto's study of testimonial cinema moves us to pursue a broader ideological analysis of the links between film and historical representation.

À propos de l'auteur :
Verónica Garibotto is Associate Professor of Latin American Literary and Cultural Studies at the University of Kansas. She is the author of Crisis y reemergencia: el siglo XIX en la ficción contemporánea de Argentina, Chile y Uruguay and editor (with Jorge Pérez) of The Latin American Road Movie.

Revue de Presse :
"A sophisticated discussion on the theoretical and conceptual tools that we use to understand 'narratives of the self.'
"
-Jordana Blejmar, author of Playful Memories: The Autofictional Turn in Post-Dictatorship Argentina

"Rethinking Testimonial Cinema proposes a renewed approach to reading the links among film, genre, and history that is particularly useful to scholars working on the filmic representation of iconic political conflicts."
-Film History

"Well researched and immensely readable, Garibotto's book provides valuable insights and commentary that will also be useful for other literatures entrenched in military dictatorship." -Choice

Voir le site internet de l'éditeur Indiana University Press

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