Les livres en français sont sur www.livres-cinema.info
MENU   

Sur un thème proche :

Italy in Early American Cinema:Race, Landscape, and the Picturesque

Italy in Early American Cinema (2009)

Race, Landscape, and the Picturesque

de Giorgio Bertellini

Sujet : Cinéma muet

Continental Strangers:German Exile Cinema, 1933-1951

Continental Strangers (2014)

German Exile Cinema, 1933-1951

de Gerd Gemünden

Sujet : Histoire du cinéma

City of Darkness, City of Light: Emigre Filmmakers in Paris 1929-1939

City of Darkness, City of Light (2003)

Emigre Filmmakers in Paris 1929-1939

de Alastair Phillips

Sujet : Histoire du cinéma

Driven to Darkness:Jewish Emigre Directors and the Rise of Film Noir

Driven to Darkness (2009)

Jewish Emigre Directors and the Rise of Film Noir

de Vincent Brook

Sujet : Genre

Migrant Anxieties:Italian Cinema in a Transnational Frame

Migrant Anxieties (2019)

Italian Cinema in a Transnational Frame

de Aine O’Healy

Sujet : Pays > Italie

Screen Borders:From Calais to Cinéma-Monde

Screen Borders (2023)

From Calais to Cinéma-Monde

de Michael Gott

Sujet : Sociologie

Napoli/New York/Hollywood

Film Between Italy and the United States (livre en anglais)

de Giuliana Muscio

Type
Etudes
Sujet
Histoire du cinéma
Mots Clés
Américains-italiens, immigration, Réalisateurs immigrés, Italie, histoire du cinéma
Année d'édition
2018
Editeur
Fordham University Press
Collection
Critical Studies in Italian America
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 384 pages
16,5 x 23,5 cm
ISBN
978-0-8232-7937-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Napoli/New York/Hollywood is an absorbing investigation of the significant impact that Italian immigrant actors, musicians, and directors—and the southern Italian stage traditions they embodied—have had on the history of Hollywood cinema and American media, from 1895 to the present day. In a unique exploration of the transnational communication between American and Italian film industries, media or performing arts as practiced in Naples, New York, San Francisco, and Los Angeles, this groundbreaking book looks at the historical context and institutional film history from the illuminating perspective of the performers themselves—the workers who lend their bodies and their performance culture to screen representations. In doing so, the author brings to light the cultural work of families and generations of artists that have contributed not only to American film culture, but also to the cultural construction and evolution of “Italian-ness” over the past century.

Napoli/New York/Hollywood offers a major contribution to our understanding of the role of southern Italian culture in American cinema, from the silent era to contemporary film. Using a provocative interdisciplinary approach, the author associates southern Italian culture with modernity and the immigrants’ preservation of cultural traditions with innovations in the mode of production and in the use of media technologies (theatrical venues, music records, radio, ethnic films). Each chapter synthesizes a wealth of previously under-studied material and displays the author’s exceptional ability to cover transnational cinematic issues within an historical context. For example, her analysis of the period from the end of World War I until the beginning of sound in film production in the end of the 1920s, delivers a meaningful revision of the relationship between Fascism and American cinema, and Italian emigration.

Napoli/New York/Hollywood examines the careers of those Italian performers who were Italian not only because of their origins but because their theatrical culture was Italian, a culture that embraced high and low, tragedy and comedy, music, dance and even acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.

Revue de Presse :
This book must be required reading for all who profess an interest in film history.---Kevin Brownlow, winner of the Academy Honorary Award given by the Academy of Motion Pictures Arts and Sciences

Performing artists have long numbered among the most transnationally mobile of Italy's workers. With this book they have gained a capable scholar’s eye. Careful attention to the lives of individual performers and to transatlantic cultural dynamics generate new insights into race, ethnicity, gender, crime, family, and southern-ness in Italy and its diasporas.---Donna Gabaccia, University of Toronto

No other Italian/American film history is so convincing in its research, its critical and aesthetic evaluations, and its handling of cultural and ethnic identities. Highly recommended. - Choice

...a meticulous historical reconstruction of the early decades of the Italian presence in American cinema, theater, music, and more generally performance culture, and a precise theoretical framework to ground it upon. - Iperstoria

...Napoli/New York/Hollywood offers a treasure trove of detail and image, supported by interviews, that should interest anyone attempting to trace the Italian diaspora and its representations in popular culture. - Journal of American History

Voir le site internet de l'éditeur Fordham University Press

12581 livres recensés   •   (c)2024-2025 cinemabooks.info   •   info@cinemabooks.info