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Films of Fact:A History of Science in Documentary Films and Television

Films of Fact (2008)

A History of Science in Documentary Films and Television

de Timothy Boon

Sujet : Genre > Documentaire

Stories Make the World:Reflections on Storytelling and the Art of the Documentary

Stories Make the World (2025)

Reflections on Storytelling and the Art of the Documentary

de Stephen Most

Sujet : Genre > Documentaire

The Interactive Documentary Form:Aesthetics, Practice and Research

The Interactive Documentary Form (2025)

Aesthetics, Practice and Research

de Stefano Odorico

Sujet : Genre > Documentaire

Antifascism and the Avant-Garde:Radical Documentary in the 1960s

Antifascism and the Avant-Garde (2025)

Radical Documentary in the 1960s

de Julia Alekseyeva

Sujet : Genre > Documentaire

Women and Global Documentary:Practices and Perspectives in the 21st Century

Women and Global Documentary (2025)

Practices and Perspectives in the 21st Century

Dir. Najmeh Moradiyan-Rizi et Shilyh Warren

Sujet : Genre > Documentaire

The Documentary Audit:Listening and the Limits of Accountability

The Documentary Audit (2025)

Listening and the Limits of Accountability

de Pooja Rangan

Sujet : Genre > Documentaire

Documentary Display

Re-Viewing Nonfiction Film and Video (livre en anglais)

de Keith Beattie

Type
Etudes
Sujet
GenreDocumentaire
Mots Clés
documentaire, sciences
Année d'édition
2008
Editeur
Wallflower Press
Collection
Nonfictions
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 224 pages
16,5 x 23 cm
ISBN
978-1-905674-73-2
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Description de l'ouvrage :
Not all documentary films and videos are sober depictions of the real world. Documentary representations can present expressive, entertaining and spectacular images. This book examines such innovative approaches as they occur within the process of "documentary display"—a practice which emphasizes the visual attractions of documentary representation. Works of documentary display explore modes of exhibitionistic "showing" in which sensation is frequently the vehicle of cognition and knowledge. Such a display is analyzed within the popular and prominent forms of found-footage film, "rockumentary", the city film, nonfiction surf film and video and certain views of natural science topics. This accessible and informed study, with its focus on entertaining, popular, spectacular and sensational forms of representation, makes an important contribution to theoretical analyses of documentary film and video.

À propos de l'auteur :
Keith Beattie is a member of the Faculty of Arts of Deakin University, Melbourne.

Revue de Presse :
Documentary has too often been regarded as the sober reverse-side of fiction in cinema: grey, instructional, wedded to ponderous, old-fashioned notions of realism. Keith Beattie's exciting Documentary Display throws the question of documentary open—both in its production and its reception—and, at the same time, re-opens our eyes to its very diverse, frequently spectacular history... This book re-defines a cinematic genre, and in the process challenges us to embrace the sensual, poetic and thoroughly entertaining aspects of non-fiction film. Adrian Martin, Senior Research Fellow, Monash University, Melbourne

Voir le site internet de l'éditeur Wallflower Press

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