Neo-Noir
(livre en anglais)
Sous la direction de Mark Bould, Kathrina Glitre et Greg Tuck
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage :
Neo-noir knows its past. It knows the rules of the game – and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the US, UK, France, Japan, South Korea, Hong Kong and New Zealand; key figures, such as David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; major conventions, such as the femme fatale, paranoia, anxiety, the city and the threat to the self; and the use of sound and colour.
À propos des auteurs :
Mark Bould is editor of Science Fiction Film and Television and author of Film Noir: From Berlin to Sin City (2005), The Cinema of John Sayles: Lone Star (2008), Red Planets: Marxism and Science Fiction (2009), and The Routledge Companion to Science Fiction (2009). Kathrina Glitre is author of Hollywood Romantic Comedy: States of the Union, 1934-65 (2006) and Starring Cary Grant (2010). Greg Tuck editor of Film-Philosophy and is currently writing Philosophy, Cinema, and Sex. All three teach film studies at the University of the West of England, Bristol.
Revue de Presse :
A fine collection of essays... Essential. Choice
Voir le site internet de l'éditeur Wallflower Press
> Des mêmes auteurs :
The New Routledge Companion to Science Fiction (2024)
Dir. Mark Bould, Andrew Butler et Sherryl Vint
Sujet : Genre > Science Fiction
> Sur un thème proche :
I Died a Million Times (2021)
Gangster Noir in Midcentury America
The Gangster Film (1998)
The Overlook Film Encyclopedia
Dir. Phil Hardy
Sujet : Genre > Films de gangsters
Through a Noir Lens (2024)
Adapting Film Noir Visual Style
American Noir Film (2024)
From The Maltese Falcon to Gone Girl
The Dark Interval (2023)
Film Noir, Iconography, and Affect