Les livres en français sont sur www.livres-cinema.info
Cinephilia in the Age of Digital Reproduction
Film, Pleasure, and Digital Culture, Volume 2 (livre en anglais)
Sous la direction de Scott Balcerzak et Jason Sperb
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
Much has shifted since the emergence of the first volume of Cinephilia in the Age of Digital Reproduction. Many of the postmillennial innovations in digital cinema and digital culture which prompted its publication have today become commonplace to the point of invisibility. This development ironically evokes memories of the classic Hollywood continuity system, a structure designed to close off space for the discussion of politics, identity or history. Thus, the original contributions in this new volume seek to illuminate those larger historical and global contexts which the emergence of digital cinema highlights in the process of its erasure. Chapters cover everything from digital spectacles of the US Civil Rights movement to the cinephiliac politics of Wong Kar-Wai, from the transnational cinephilia of Bernardo Bertolucci and Adrian Lyne to the cultural politics of race and media transition in Michel Gondry's Be Kind Rewind. Also included are sustained discussions of what the digital age will mean in the long term for the critical and academic study of film.
Contributors include Chris Cagle, David Church, Susan Felleman, Kristi McKim, Adrian Martin, James Morrison, Ted Pigeon, Catherine Russell, Greg Singh and Steve Spence.
À propos des auteurs :
Scott Balcerzak is an Assistant Professor of Film and Literature in the Department of English at Northern Illinois University. He has published articles on film and performance for such journals as Camera Obscura and Post Script.Jason Sperb is lecturer of film and media studies at Northwestern University. He is a member of the editorial board at Film Criticism and the author of A Frown Upside Down: Race, Convergence and the Hidden Histories of Disney's Song of the South (Austin, TX: University of Texas Press, 2012).
Revue de Presse :
Overall, the volume serves as an indispensable 'continuation of this crucial snapshot in time of a twenty-first century cinephilia' Nash Petropoulos, Media International Australia
Voir le site internet de l'éditeur Wallflower Press
> Livres ayant un titre identique ou proche :
Cinephilia in the Age of Digital Reproduction (2009)
Film, Pleasure, and Digital Culture, Volume 1
Dir. Scott Balcerzak et Jason Sperb
Sujet : Sociologie
> Des mêmes auteurs :
Blossoms and Blood (2013)
Postmodern Media Culture and the Films of Paul Thomas Anderson
de Jason Sperb
Sujet : Réalisateur > Paul Thomas Anderson
Disney's Most Notorious Film (2012)
Race, Convergence, and the Hidden Histories of Song of the South
de Jason Sperb
Sujet : Un Film > Mélodie du sud
Cinephilia in the Age of Digital Reproduction (2009)
Film, Pleasure, and Digital Culture, Volume 1
Dir. Scott Balcerzak et Jason Sperb
Sujet : Sociologie
> Sur un thème proche :
Audience-ology (2022)
How Moviegoers Shape the Films We Love
de Kevin Goetz et Darlene Hayman
Sujet : Sociologie
From Ciné-goûters to Screenings for Cinephilie (2022)
The Cinemas of the Instituts and the Alliances françaises
de Giusy Pisano
Sujet : Sociologie
The Psychology of Moviegoing (2019)
Choosing, Viewing and Being Influenced by Films
de Ashton D. Trice et Hunter W. Greer
Sujet : Sociologie
Magnificent Obsession (2018)
The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics
Sujet : Sociologie
After the final curtain (2016)
The Fall of the American Movie Theater
de Matt Lambros
Sujet : Sociologie
Off to the Pictures (2016)
Cinemagoing, Women's Writing and Movie Culture in Interwar Britain
de Lisa Stead
Sujet : Sociologie
Watching Films (2013)
New Perspectives on Movie-Going, Exhibition and Reception
Dir. Albert Moran et Karina Aveyard
Sujet : Sociologie
Retour
