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The Heist Film

Stealing with Style (livre en anglais)

de Daryl Lee

Type
Etudes
Sujet
GenreThriller
Mots Clés
thriller, film de gangster
Année d'édition
2014
Editeur
Wallflower Press
Collection
Short Cuts
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 144 pages
15 x 20 cm
ISBN
978-0-231-16969-1
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Description de l'ouvrage :
A concise introduction to the genre about that one last big score, The Heist Film: Stealing With Style traces this crime thriller's development as both a dramatic and comic vehicle growing out of film noir (Criss Cross, The Killers, The Asphalt Jungle), mutating into sleek capers in the 1960s (Ocean's Eleven, Gambit, How to Steal a Million) and splashing across screens in the 2000s in remake after remake (The Thomas Crown Affair, The Italian Job, The Good Thief). Built around a series of case studies (Rififi, Bob le Flambeur, The Killing, The Lavender Hill Mob, The Getaway, the Ocean's trilogy), this volume explores why directors of such varied backgrounds, from studio regulars (Siodmak, Crichton, Siegel, Walsh and Wise) to independents (Anderson, Fuller, Kubrick, Ritchie and Soderbergh), are so drawn to this popular genre.

À propos de l'auteur :
Daryl Lee is Associate Professor of French at Brigham Young University where he teaches courses on nineteenth-century French lyric poetry, the city, and urban culture in film, literature, and film theory.

Revue de Presse :
The most sustained analysis of this neglected genre to date. This volume lifts the big caper or heist film from the generic limbo in which it has for too long languished. It deftly demonstrates the heist film's dual generic function as anti-insititution social message and as ongoing address about the place of art in society. Barry Keith Grant, Brock University

Voir le site internet de l'éditeur Wallflower Press

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