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Sur un thème proche :

Halloween:Youth Cinema and the Horrors of Growing Up

Halloween (2021)

Youth Cinema and the Horrors of Growing Up

de Mark Bernard

Sujet : Un Film > La Nuit des masques

Escape from New York:The Official Story of the Film

Escape from New York (2021)

The Official Story of the Film

de John Walsh

Sujet : Un Film > New York 1997

Psycho, The Birds and Halloween:The Intimacy of Terror in Three Classic Films

Psycho, The Birds and Halloween (2013)

The Intimacy of Terror in Three Classic Films

de Randy Rasmussen

Sujet : Un Film > Psychose, Les Oiseaux, La Nuit des masques

Playful Frames:Styles of Widescreen Cinema

Playful Frames (2023)

Styles of Widescreen Cinema

de Steven Rybin

Sujet : Technique > Directeur de la photo

On Set with John Carpenter:The photographs of Kim Gottlieb-Walker

On Set with John Carpenter (2014)

The photographs of Kim Gottlieb-Walker

de Kim Gottlieb-Walker

Sujet : Réalisateur > John Carpenter

Dark Directions:Romero, Craven, Carpenter, and the Modern Horror Film

Dark Directions (2012)

Romero, Craven, Carpenter, and the Modern Horror Film

de Kendall R. Phillips

Sujet : Réalisateur > George A. Romero, Wes Craven, John Carpenter

They Live

(livre en anglais)

de D. Harlan Wilson

Type
Etudes
Sujet
Un FilmInvasion Los Angeles
Mots Clés
John Carpenter, politique
Année d'édition
2014
Editeur
Wallflower Press
Collection
Cultographies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 128 pages
11,5 x 18 cm
ISBN
978-0-231-17211-0
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Description de l'ouvrage :
Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape.

À propos de l'auteur :
D. Harlan Wilson is a professor of English at Wright State University.

Revue de Presse :
The book They Live reframes the film "They Live" through creative, compelling critique. It makes an elegant case, time after time, for taking this film seriously as well as science fiction cult cinema more broadly. Extrapolation

This book... [allows] the reader to delve beyond the surface of this cult classic and explore the film's deeper message. San Francisco Book Review

A delight to read. Manta Ray Pictures

Voir le site internet de l'éditeur Wallflower Press

Voir la fiche de Invasion Los Angeles (1988) sur le site IMDB ...

> Du même auteur :

Strangelove Country:Science Fiction, Filmosophy, and the Kubrickian Consciousness

Strangelove Country (2025)

Science Fiction, Filmosophy, and the Kubrickian Consciousness

de D. Harlan Wilson

Sujet : Réalisateur > Stanley Kubrick

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