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Sound Technology and the American Cinema
Perception, Representation, Modernity (livre en anglais)
de James Lastra
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Description de l'ouvrage :
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect.
Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film.
Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.
À propos de l'auteur :
James Lastra is associate professor of English at the University of Chicago.
Voir le site internet de l'éditeur Columbia University Press
> Sur un thème proche :
Making Stereo Fit (2024)
The History of a Disquieting Film Technology
Sounding Modernism (2017)
Rhythm and Sonic Mediation in Modern Literature and Film
Dir. Julian Murphet, Helen Groth et Penelope Hone
Electric Sounds (2007)
Technological Change and the Rise of Corporate Mass Media
After the Silents (2014)
Hollywood Film Music in the Early Sound Era, 1926-1934
Cinema's Conversion to Sound (2005)
Technology and Film Style in France and the U.S.
Sujet : Histoire du cinéma
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