Les livres en français sont sur www.livres-cinema.info
MENU   

Breaking the Fourth Wall

Direct Address in the Cinema (livre en anglais)

de Tom Brown

Type
Etudes
Sujet
Théorie
Mots Clés
théorie, acteur, caméra
Année d'édition
2012
Editeur
Edinburgh University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 188 pages
15,5 x 23,5 cm
ISBN
978-0-7486-4425-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
What happens when fictional characters acknowledge our 'presence' as film spectators? By virtue of its eccentricity and surprising frequency as a filmic device, direct address enables us to ask some fundamental questions of film theory, history and criticism and tackle, head-on, assumptions about the cinema as a medium. Brown provides a broad understanding of the role of direct address within fiction cinema, with focused analysis of its role in certain strands of avant-garde or experimental cinema, on the one hand, and popular genre traditions (musicals and comedies) on the other.

À propos de l'auteur :
Tom Brown is Lecturer in Film Studies at King's College London.

Revue de Presse :
BREAKING THE FOURTH WALL is a probing study of the ways in which an actor or a character in a movie sometimes looks at the camera and addresses us in the audience. This is often taken simply to dispel the illusion, but in his book Tom Brown sensitively examines different forms of direct address and explicates how various and complex its effect can be.– Gilberto Perez, Sarah Lawrence College

Voir le site internet de l'éditeur Edinburgh University Press

> Du même auteur :

Spectacle in Classical Cinemas:Musicality and Historicity in the 1930s

Spectacle in Classical Cinemas (2018)

Musicality and Historicity in the 1930s

de Tom Brown

Sujet : Les Films > Par période

> Sur un thème proche :

The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

The Attractions of the Moving Image (2025)

Essays on History, Theory, and the Avant-Garde

de Tom Gunning

Sujet : Théorie

Cinema of/for the Anthropocene:Affect, Ecology, and More-Than-Human Kinship

Cinema of/for the Anthropocene (2025)

Affect, Ecology, and More-Than-Human Kinship

Dir. Katarzyna Paszkiewicz et Andrea Ruthven

Sujet : Théorie

Film Figures:An Organological Approach

Film Figures (2025)

An Organological Approach

de Warwick Mules

Sujet : Théorie

Haunting the World:Essays on Film After Perkins and Cavell

Haunting the World (2025)

Essays on Film After Perkins and Cavell

de Dominic Lash

Sujet : Théorie

Towards a Film Theory from Below:Archival Film and the Aesthetics of the Crack-Up

Towards a Film Theory from Below (2025)

Archival Film and the Aesthetics of the Crack-Up

de Jiri Anger

Sujet : Théorie

Film, Negation and Freedom:Capitalism and Romantic Critique

Film, Negation and Freedom (2025)

Capitalism and Romantic Critique

de Will Kitchen

Sujet : Théorie

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •