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French Queer Cinema
(livre en anglais)
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Description de l'ouvrage :
Looks at queer self-representation in contemporary auteur film and experimental video in France
French Queer Cinema examines the representation of queer identities and sexualities in contemporary French filmmaking. This groundbreaking volume is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video in France. French Queer Cinema addresses the emergence of a gay cinema in the French context since the late 1990s, including critical coverage of films by important contemporary directors such as François Ozon, Sébastien Lifshitz, Patrice Chéreau, André Téchiné and Christophe Honoré. Nick Rees-Roberts transposes contemporary Anglo-American Queer Theory to the study of French screen culture, drawing particular attention to issues of race and migration such as problematic fantasies of Arab masculinities in queer cinematic production. This theoretically-informed book engages with a number of fault-lines running through queer cultural representation in France including transgender dissent and the effects of AIDS and loss on the formation of queer identities and sexualities.
Key Features
• Provides a full, up-to-date account of the formation, reception and setting for contemporary queer film and video in France.
• Situates cinematic representations of migration, social exclusion and queer sexualities in the context of recent repressive legislation on sex work and immigration.
• Covers the work of less well-known directors such as Christophe Honoré, Sébastien Lifshitz and Gaël Morel.
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À propos de l'auteur :
Nick Rees-Roberts is Lecturer in French at the University of Bristol.
Revue de Presse :
Nick Rees-Roberts' volume is a welcome addition to French cinema studies. It is a thorough documentation and analysis of representations of queerness in contemporary French film and is a work that engages a wide variety of subjects including the depiction of minorities, independent and auteur films, and pornography. The author ably shows the intersections between queer subjects and AIDS, republican values, identity politics, inscriptions of sexualities in daily life, and other contemporary concerns. This volume is a valuable addition to our understanding of post-modern French culture and will be of great value to students and researchers alike.– Professor Lawrence R. Schehr, University of Illinois
Voir le site internet de l'éditeur Edinburgh University Press
> Du même auteur :
Isabelle Huppert (2022)
Stardom, Performance, Authorship
Dir. Darren Waldron et Nick Rees-Roberts
Sujet : Acteur > Isabelle Huppert
> Sur un thème proche :
Queering Contemporary French Popular Cinema (2009)
Images and Their Reception
French and Spanish Queer Film (2016)
Audiences, Communities and Cultural Exchange
de Chris Perriam et Darren Waldron
Nouvelles Femmes (2025)
Modern Women of the French New Wave and Their Enduring Contribution to Cinema
Mixed Feelings in France (2025)
White Femininity and Métissage in French Multicultural Comedy
The Cinematic Influence (2024)
Interaction and Exchange Between the Cinemas of France and Japan
Gender in French Banlieue Cinema (2024)
Intersectional Perspectives
Dir. Marzia Caporale, Claire Mouflard et Habib Zanzana
Through a Nuclear Lens (2024)
France, Japan, and Cinema from Hiroshima to Fukushima
The Ethnographic Optic (2024)
Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
The Art of Directing (2023)
A Concise Dictionary of France's Film Directors
Dir. Michaël Abecassis, Marcelline Block et Felicity Chaplin
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