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Special Affects

Cinema, Animation and the Translation of Consumer Culture (livre en anglais)

de Eric Jenkins

Type
Etudes
Sujet
Théorie
Mots Clés
théorie, cinéma américain, Gilles Deleuze
Année d'édition
2014
Editeur
Edinburgh University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 248 pages
15,5 x 23,5 cm
ISBN
978-0-7486-9547-8
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Description de l'ouvrage :
Examines the translation of classical Hollywood into Disney’s feature films from a Deleuzian perspective

Special Affects retells the emergence of Disney animation and classical Hollywood cinema from the perspective of affect and the embodied modes of generating affection. The emergence of these media enables new modes of perception that create ‘special’ sensations of wonder, astonishment, marvel and the fantastic. Such affections subsequently become mined by consumer industries for profit, thereby explaining the connection between media and consumerism that today seems inherent to the culture industry. Such modes and their affections are also translated into ideology, as American culture seeks to make sense of the sociocultural changes accompanying these new media, particularly as specific versions of American Dream narratives.

Special Affects is the first extended exploration of the connection between media and consumerism, and the first book to extensively apply Deleuzian film theory to animation. Its exploration of the connection between the animated form and consumerism, and its re-examination of twentieth-century animation from the perspective of affect, makes this an engaging and essential read for film-philosophy scholars and students.

À propos de l'auteur :
Eric S. Jenkins (Ph.D. University of Georgia) grew up in the suburbs in Dallas, Texas, developing a distaste for consumerism and a simultaneously love for all things media like videogames and movies. Subsequently, he studies the interconnection between media and consumerism, with an emphasis on the modes of mediated consumption and their affective capacities. Disney animation was both a first love (of media) and a first hate (of consumerism).

Voir le site internet de l'éditeur Edinburgh University Press

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