Performing Ethics Through Film Style

Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader (livre en anglais)

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de Edward Lamberti

Type: Etudes
Sujet: Théorie
Mots Clés: théorie, philosophie, Frères Dardenne, Barbet Schroeder, Paul Schrader
Année d'édition: 2019
Editeur: Edinburgh University Press
Langue: anglais

Taille du livre

Format

Relié • 256 pages
15,5 x 23,5 cm

ISBN

978-1-4744-4400-2

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Description de l'ouvrage :
Uses Levinas and performativity theory to explore the ethical stakes of film style
• Read the blog post Edward Lamberti on his new book ‘Performing Ethics through Film Style: Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader’
• Presents a new approach to ethics and film, bringing film style into productive dialogue with performativity theory
• Includes case studies from three significant filmmaking bodies of work
• Demonstrates a synthesis of film theory, philosophy and textual analysis

Emmanuel Levinas’s ethical philosophy has had a significant influence on film theory in recent years. Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of the Dardenne Brothers, Barbet Schroeder and Paul Schrader.

Discussing a range of films – including the Dardennes’ Le Fils and The Kid with a Bike, Schroeder’s Maîtresse and Reversal of Fortune and Schrader’s American Gigolo and The Comfort of Strangers – Edward Lamberti demonstrates how film styles can perform a Levinasian ethics.

À propos de l'auteur :
Edward Lamberti has a PhD in Film Studies from King’s College London and he works at the BBFC. He is the editor of Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age(2012).

Revue de Presse :
Lamberti proposes that certain films by the Dardenne brothers, Barbet Schroeder and Paul Schrader perform the Levinasian ethical encounter in ways that involve the viewer in that experience and responsibility. This original intervention in the field of Levinasian ethics and film is sharply focused, compelling, and beautifully written. The book engages with debates about film as language, raises questions about film as performativity, and through close analysis shows how style creates ethical encounters with the Other. 　Lamberti demonstrates how film can be performative Levinasian ethics, and this makes a substantial contribution to the understanding of the ethical possibilities with which film-philosophy is concerned.– Dr Lucy Bolton, Queen Mary, University of London

Voir le site internet de l'éditeur Edinburgh University Press

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