Les livres en français sont sur www.livres-cinema.info
Acting Across Borders
Mobility and Identity in Italian Cinema (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
Sheds new light on the notion of Italian identity as it is understood by the national cinema
• Combines Film Studies with the Mobilities Framework
• Looks at previously unexplored facets of Amedeo Nazzari’s and Alberto Sordi’s careers
• Explores a variety of physical, ideological and social ‘borders’ in the 'cinematic bodies' of Nazzari and Sordi
Studying the careers of popular actors Amedeo Nazzari and Alberto Sordi, Acting Across Borders explores the question of how Italian cinema from the 1930s to 1980s has considered human mobility. Through close readings of a selection of films, Alberto Zambenedetti examines the concept of italianità (Italian-ness) as manifested in contexts related to migration, diaspora, exile, tourism, travel and their supporting infrastructures. In this wide-ranging study, the methodologies of Film Studies and the Mobilities Framework are combined to illuminate an undertheorised yet vital tradition in the history of the national cinema.
À propos de l'auteur :
Alberto Zambenedetti is Assistant Professor in the Department of Italian Studies, University of Toronto
Revue de Presse :
There is much to praise in Acting across Borders. The book’s analytical thrust provides a fresh look at two widely studied figures in Italian cinema and paves the way for further future research [...] the book will be welcomed by readers interested in Italian cinema and cultural history.– Emiliano Perra, University of Winchester, H-Italy (September, 2021)
Acting Across Borders makes a compelling case for the importance of cinematic mobility for the construction of Italian identity, a case conveyed all the more effectively because of the great lengths to which its author went to research it. Exploring a great many understudied films, and offering new inroads into a number of better-known works as well, Alberto Zambenedetti’s monograph constitutes a notable milestone for research in this promising field.– Charles L. Leavitt IV, University of Notre Dame, Journal of Italian Cinema & Media Studies
Acting Across Borders presents a significant contribution to the history of cinema studies. In addition to its detailed examination of dozens of films and attention to historical contextualisation, this volume offers original analysis of historical attempts to control mobility and the cultural shift mobility prompted. The author’s carefully researched insights regarding the production of specific films, the developing status of Italy’s filmmaking industry and evolving star system support the book’s argument that Nazzari’s and Sordi’s films both mirror and interrogate Italian society.– Marie Orton, Modern Italy
In Acting Across Borders, Alberto Zambenedetti proposes a new way of writing Italian film history through competing constructions of national identities. Thoroughly researched and beautifully written, this book will raise the stakes in graduate seminars with theories of mobility that anticipate globalization; it will entice an undergraduate audience with historical depth; finally, it will captivate general as well as specialized readers with open-ended conclusions on how the moving image moves on the screen and in society across all kinds of internal and external, imaginary and geographical borders.– Angela Dalle Vacche, Professor Emerita, Georgia Institute of Technology, Atlanta
Voir le site internet de l'éditeur Edinburgh University Press
> Du même auteur :
Federico Fellini (2025)
Centenary Essays
Dir. Marco Malvestio, Jessica Whitehead et Alberto Zambenedetti
Sujet : Réalisateur > Federico Fellini
> Sur un thème proche :
Fame Amid the Ruins (2025)
Italian Film Stardom in the Age of Neorealism
The Celluloid Atlantic (2025)
Hollywood, Cinecittà, and the Making of the Cinema of the West, 1943–1973
Traveling Auteurs (2024)
The Geopolitics of Postwar Italian Cinema
Cinema Is the Strongest Weapon (2023)
Race-Making and Resistance in Fascist Italy
Women and Migration in Contemporary Italian Cinema (2023)
Screening Hospitality
Orienting Italy (2023)
China through the Lens of Italian Filmmakers
Darkening the Italian Screen II (2023)
Interviews with Genre and Exploitation Directors Who Debuted in the 1970s
Proibito! (2023)
A History of Italian Film Censorship, 1913–2021
Retour
