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Vital Resonances

Encountering Film with Varda, Haneke and Nancy (livre en anglais)

de Francesca Hardy et Francesca Minnie Hardy

Type
Etudes
Sujet
RéalisateurAgnès Varda, Michael Haneke
Mots Clés
Agnès Varda, Michael Haneke, Jean-Luc Nancy
Année d'édition
2021
Editeur
Edinburgh University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 216 pages
15,5 x 23,5 cm
ISBN
978-1-4744-3695-3
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Description de l'ouvrage :
Establishes resonance as a critical and conceptual paradigm for film analysis
• Brings together, for the first time, the work of three of the leading figures in European film: Agnès Varda, Michael Haneke and Jean-Luc Nancy
• Establishes resonance as a critical and conceptual paradigm for film analysis by untethering it from sonority and foregrounding how it deals with matter in movement, exploring it philosophically, critically and sensuously
• Yokes together discussions of resonance, the image, the body and being from across Nancy’s oeuvre in order to illustrate how they demonstrate a particular propensity for the study of film
• Elaborates further the Nancean vernacular, in particular resonance, being, the image, filmer/to film and blood

Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies’ bodily turn: resonance. In keeping with the soft touch that characterises some of this turn’s critical literature – the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover’s body – resonance has been brushed over. Through the work of three leading figures in European cinema, Agnès Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.

À propos des auteurs :
Francesca Hardy is Senior Lecturer in the College of Art, Architecture, Design and Humanities, at Nottingham Trent University

Revue de Presse :
This is an extremely insightful and elegant exploration of the work of Nancy, Varda and Haneke which uniquely aligns the specificity of such cinemas in order to stage a brilliant encounter, rethinking notions of embodied spectatorship and its varying ethics of viewing pleasure.– Davina Quinlivan, Kingston University

Voir le site internet de l'éditeur Edinburgh University Press

Voir la filmographie complète de Agnès Varda sur le site IMDB ...

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