The International Film Musical

(livre en anglais)

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Sous la direction de Corey K. Creekmur et Linda Y. Mokdad

Type: Etudes
Sujet: Genre > Comédie musicale
Mots Clés: comédie musicale, chanson, musique
Année d'édition: 2012
Editeur: Edinburgh University Press
Collection: Traditions in World Cinema
Langue: anglais

Taille du livre

Format

Relié • 288 pages
15,5 x 23,5 cm

ISBN

978-0-7486-3476-7

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Description de l'ouvrage :
This is the first comparative consideration of the musical's role within national cinema traditions. While the musical is one cinema's few genuinely international genres, it has often functioned as an explicitly local or national form, drawing upon distinct traditions understood as 'native' rather than 'international'. Simultaneously, musicals from around the world have often imitated Hollywood models, resulting in their easy dismissal as culturally 'impure' and demonstrating the creative and ideological tension between promoting and abandoning traditional cultural forms and styles. This productive tension between local and global elements lies at the heart of international film musicals, which typically acknowledge the dominant Hollywood model while claiming their own cultural specificity.

Key Features
• Individual chapters provide succinct historical and critical discussions of musicals from fifteen major national film traditions, along with the transnational musical.
• A coda by Rick Altman, one of the genre's most prominent scholars.
• Lists of key resources offer teachers and students additional information.

À propos des auteurs :
Corey K. Creekmur is Associate Professor in the Departments of English and Cinema & Comparative Literature at the University of Iowa, where he also directs the Institute for Cinema and Culture. He is the author of Cattle Queens and Lonesome Cowboys: Gender and Sexuality in the Western (Duke UP, forthcoming) and the author of numerous essays on film music and popular Hindi cinema.
Linda Y. Mokdad is Visiting Assistant Professor at Michigan State University. She works on Hollywood and Arab cinemas, and has most recently completed an essay on the films of Palestinian filmmaker Elia Suleiman (Wallflower Press, forthcoming).

Voir le site internet de l'éditeur Edinburgh University Press

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