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Framing Pictures

Film and the Visual Arts (livre en anglais)

de Steven Jacobs

Type
Etudes
Sujet
Théorie
Mots Clés
théorie, réalisation
Année d'édition
2011
Editeur
Edinburgh University Press
Collection
Edinburgh Studies in Film and Intermediality
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 224 pages
15,5 x 23,5 cm
ISBN
978-0-7486-4017-1
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Description de l'ouvrage :
Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative.

He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall.

Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike.

À propos de l'auteur :
Steven Jacobs teaches film history and film theory at Ghent University and the University of Antwerp.

Revue de Presse :
Jacob’s detailed discussion of these filmmakers’ different strategies brings into relief the critical and aesthetics complexities animating these filmic projects.– Matilde Nardelli, Oxford Art Journal

Framing Pictures is a welcome, major addition to the literature on the relationships between film and the other visual arts. Lucid, thorough, and wide-ranging, it is the work of a scholar both deeply grounded in the histories of art and cinema and current with contemporary art and critical discourses. Jacobs covers the entire intermedial territory, balancing wonderfully succinct overviews with close consideration of art documentaries, artist biopics, tableaux vivants, film stills, and the cinematic turn in contemporary art.– Susan Felleman, Associate Professor of Cinema Studies, Southern Illinois University Carbondale, author of Art in the Cinematic Imagination (2006)

Voir le site internet de l'éditeur Edinburgh University Press

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