Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
Envisioning Freedom (2014)
Cinema and the Building of Modern Black Life
de Cara Caddoo
Sujet : Sociologie
The Emergence of Pre-Cinema (2018)
Print Culture and the Optical Toy of the Literary Imagination
Sujet : Histoire du cinéma
Egyptomania Goes to the Movies (2017)
From Archaeology to Popular Craze to Hollywood Fantasy
Sujet : Histoire du cinéma
Birth of an Industry (2015)
Blackface Minstrelsy and the Rise of American Animation
Sujet : Histoire du cinéma
Hollywood Outsiders (2003)
The Adaptation of the Film Industry, 1913-1934
de Anne Morey
Sujet : Histoire du cinéma
At the Picture Show (2001)
Small-Town Audiences and the Creation of Movie Fan Culture
Sujet : Histoire du cinéma
Cinema at the Margins
(livre en anglais)
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Description de l'ouvrage :
More and more, just a few canonical classics, such as Michael Curtiz’s “Casablanca” (1942) or Victor Fleming’s “Gone With The Wind” (1939), are representing the entire output of an era to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s?
For the most part, these films will be forgotten, and their makers with them. Wheeler Winston Dixon argues that even obvious historical markers such as Alfred Hitchcock’s “Psycho” (1960) represent shockingly unknown territory for the majority of today’s younger viewers; and yet once exposed to these films, they are enthralled by them. In the 1980s and 1990s, the more adventurous video stores served a vital function as annals of classic cinema. Today, those stores are gone and the days of this kind of browsing are over.
This collection of essays aims to highlight some of the lesser-known films of the past – the titles that are being pushed aside and forgotten in today’s oversaturation of the present. The work is divided into four sections, rehabilitating the films and filmmakers who have created some of the most memorable phantom visions of the past century, but who, for whatever reason, have not successfully made the jump into the contemporary consciousness.
À propos de l'auteur :
Wheeler Winston Dixon is the James Ryan Professor of Film Studies and coordinator of the Film Studies Program at the University of Nebraska, Lincoln, and editor-in-chief, with Gwendolyn Audrey Foster, of the "Quarterly Review of Film and Video."
Voir le site internet de l'éditeur Anthem Press
> Du même auteur :
A Short History of Film (2018)
de Wheeler Winston Dixon et Gwendolyn Audrey Foster
Sujet : Histoire du cinéma
Death of the Moguls (2012)
The End of Classical Hollywood
21st-Century Hollywood (2011)
Movies in the Era of Transformation
de Wheeler Winston Dixon et Gwendolyn Audrey Foster
Sujet : Economie
Experimental Cinema, The Film Reader (2002)
Dir. Gwendolyn Audrey Foster et Wheeler Winston Dixon
Sujet : Genre > Expérimental
The Exploding Eye (1997)
A Re-Visionary History of 1960s American Experimental Cinema
Sujet : Genre > Expérimental
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