Les livres en français sont sur www.livres-cinema.info
MENU   

Spaces of Communication

Elements of Semio-Pragmatics (livre en anglais)

de Roger Odin

Type
Essais
Sujet
Théorie
Mots Clés
théorie, sémiologie
Année d'édition
2021
Editeur
Amsterdam University Press
Collection
Film Theory in Media History
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 176 pages
15,5 x 23,5 cm
ISBN
978-94-6298-714-2
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Spaces of Communication offers a concise introduction to semiopragmatics and condenses the intellectual trajectory of one of the foundational figures of film studies into a relatively short and accessible volume. It testifies to the author’s deep and rich intellectual engagement with a vast array of objects ranging from the classics of the cinephile canon to television news programs, home movies and mobile phone films.

À propos de l'auteur :
Roger Odin is emeritus professor of Communication at Paris 3 University; Head of the Film and Audiovisual Institute (1983-2003); Theorist of the semio-pragmatic approach (De la fiction, 2000; Les Espaces de Communication, 2011).

Revue de Presse :
It is hard to believe that it has taken almost forty years for Roger Odin’s semio-pragmatic approach to finally become accessible in a book for the English-speaking world. Long before the post-cinema debate, Roger Odin started to theorize the many facets of film beyond the theatrical motion picture. Immensely productive particularly with a view to the current transformations of film, Odin’s film theory continues to question and subvert established distinctions: between disciplines and theoretical schools, but also between legitimate and illegitimate objects."– Alexandra Schneider, Johannes Gutenberg University of Mainz

"With scientific rigor and academic generosity, Roger Odin discloses the analytical machine that underpins his semio-pragmatic approach. Readers not only enjoy a wide breadth of examples, but also witness the trial-and-error approach that ensured the success of semio-pragmatics. At once a methodological synthesis and a balance of intellectual achievement, this book promotes an integral method for analyzing film as a communicative apparatus." – Francesco Casetti, Yale University

Voir le site internet de l'éditeur Amsterdam University Press

> Sur un thème proche :

Endless Intervals:Cinema, Psychology, and Semiotechnics Around 1900

Endless Intervals (2022)

Cinema, Psychology, and Semiotechnics Around 1900

de Jeffrey West Kirkwood

Sujet : Théorie

Semiotics and Title Sequences:Text-Image Composites in Motion Graphics

Semiotics and Title Sequences (2019)

Text-Image Composites in Motion Graphics

de Michael Betancourt

Sujet : Théorie

Title Sequences as Paratexts:Narrative Anticipation and Recapitulation

Title Sequences as Paratexts (2019)

Narrative Anticipation and Recapitulation

de Michael Betancourt

Sujet : Théorie

Conversations with Christian Metz:Selected Interviews on Film Theory

Conversations with Christian Metz (2017)

Selected Interviews on Film Theory

Dir. Warren Buckland et Daniel Fairfax

Sujet : Théorie

The Memory of Tiresias:Intertextuality and Film

The Memory of Tiresias (1998)

Intertextuality and Film

de Mikhail Iampolski

Sujet : Théorie

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •