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The Practical Critic:André Bazin on Film, 1945-1958

The Practical Critic (2023)

André Bazin on Film, 1945-1958

de James R. Russo

Sujet : Théorie

André Bazin's Film Theory:Art, Science, Religion

André Bazin's Film Theory (2020)

Art, Science, Religion

de Angela Dalle Vacche

Sujet : Théorie

The Major Realist Film Theorists:A Critical Anthology

The Major Realist Film Theorists (2016)

A Critical Anthology

Dir. Ian Aitken

Sujet : Théorie

Opening Bazin:Postwar Film Theory and Its Afterlife

Opening Bazin (2011)

Postwar Film Theory and Its Afterlife

Dir. Dudley Andrew et Herve Joubert-Laurencin

Sujet : Théorie

The Major Film Theories:An Introduction

The Major Film Theories (1976)

An Introduction

de J. Dudley Andrew

Sujet : Théorie

Looking at Movies:An Introduction to Film

Looking at Movies (2025)

An Introduction to Film

de Dave Monahan et Richard Barsam

Sujet : L'analyse de films

Studying Film with André Bazin

(livre en anglais)

de Blandine Joret

Type
Etudes
Sujet
L'analyse de films
Mots Clés
André Bazin, analyse
Année d'édition
2019
Editeur
Amsterdam University Press
Collection
Film Theory in Media History
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 192 pages
15,5 x 23,5 cm
ISBN
978-94-6298-952-8
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Description de l'ouvrage :
The impact of French film critic André Bazin (1918-1958) on the development of film studies, though generally acknowledged, remains contested. A passionate initiator of film culture during his lifetime, his ideas have been challenged, defended and revived throughout his afterlife. Studying Film with André Bazin offers an entirely original interpretation of major concepts from Bazin’s legacy, such as auteur theory, realism, film language and the influence of film on other arts (poetry and painting in particular). By examining mostly unknown and uncollected texts, Blandine Joret explains Bazin’s methodology and adopts it in a contemporary reading, linking his ideas to major philosophical and scientific frameworks as well as more recent media practices such as advertising, CGI, 3D cinema and Virtual Reality. In tune with 21st-century concerns in media culture and film studies, this book addresses a wide readership of film scholars, students and cinephiles.

À propos de l'auteur :
Blandine Joret is a lecturer in Film and Media Studies at the University of Amsterdam. Her current research looks at the intersection of immersion and pedagogy, with a specific emphasis on 3D and Virtual Reality.

Voir le site internet de l'éditeur Amsterdam University Press

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