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Towards a Political Aesthetics of Cinema
The Outside of Film (livre en anglais)
de Sulgi Lie
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Description de l'ouvrage :
Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of "suture"-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious.
À propos de l'auteur :
Sulgi Lie teaches in the Division of Film Studies at the Freie Universität Berlin. He has co-edited a German anthology of Jacques Rancière’s film writings and has recently completed a book on comedy and critical theory with the title Gehend kommen. Adornos Slapstick (Come Walking: Adorno’s Slap stick) to be published in early 2021 by Vorwerk 8 press.
Revue de Presse :
Delivered in a crisp translation, this ambitious book’s clarifying distance from the lasting accomplishments of apparatus theory goes far toward erasing any trace of oxymoron in its title. And in the emphasis of its subtitle — with the camera variously recognized as severed from the spaces it preserves only by rearticulating — cinema’s narrative inside emerges as the material effect of its outside: not just technically but culturally. Synthesized as never before across a deep field of previous theorization, the conditioning surround of the screen image, in politics as well as production, is studied rigorously by Lie, and often brilliantly, from the inside out — in powerful extrapolations earned across nimble readings of celluloid and digital cinematography from rear projection in Marnie to pixel tessellations in Miami Vice."
- Garrett Stewart, author of "Cinemachines: An Essay on Media and Method" (2020)
"Lie's book Towards a Political Aesthetics of Cinema fulfills the title's promise by re-reading and re-viewing theories and films to engender indeed a political aesthetics. Avoiding the sheer application of political theories on cinema Lie challenges some of the paradigms of modern film theory for their relevance for an aesthetic of cinema. In Lie's powerful understanding of cinema the off screen space in cinematic shots becomes a complex membrane between world and fiction. Intense shot analyses are the bearers of the argument that political aesthetics of cinema are based in the ways films are framing and deframing the world."
- Gertrud Koch
Voir le site internet de l'éditeur Amsterdam University Press
> Sur un thème proche :
Fredric Jameson and Film Theory (2022)
Marxism, Allegory, and Geopolitics in World Cinema
Dir. Keith B. Wagner, Jeremi Szaniawski et Michael Cramer
Sujet : Théorie
Politics, Theory, and Film (2016)
Critical Encounters with Lars von Trier
Dir. Bonnie Honig et Lori J. Marso
Sujet : Théorie
The Cinematic Mode of Production (2006)
Attention Economy and the Society of the Spectacle
Sujet : Théorie
Towards a Film Theory from Below (2025)
Archival Film and the Aesthetics of the Crack-Up
de Jiri Anger
Sujet : Théorie
The Attractions of the Moving Image (2025)
Essays on History, Theory, and the Avant-Garde
de Tom Gunning
Sujet : Théorie
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