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What Price Hollywood?

Gender and Sex in the Films of George Cukor (livre en anglais)

de Elyce Rae Helford

Type
Etudes
Sujet
RéalisateurGeorge Cukor
Mots Clés
George Cukor, genre (sexe)
Année d'édition
2024 (23 janvier 2024)
Editeur
University Press of Kentucky
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 222 pages
15,5 x 23 cm
ISBN
978-0-8131-9702-9
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Description de l'ouvrage :
During the early Hollywood sound era, studio director George Cukor produced nearly fifty films in as many years, famously winning the Best Director Oscar at the 1964 Academy Awards for My Fair Lady. His collaborations with so-called difficult actresses such as Katharine Hepburn, Judy Garland, and Marilyn Monroe unsettled producers even as his ticket sales lined their pockets. Fired from Gone with the Wind for giving Vivien Leigh more screen time than Clark Gable, Cukor quickly earned a double-sided reputation as a "woman's director." While the label celebrated his ability to help actresses deliver their best performances, the epithet also branded the gay director as suitable only for work on female-centered movies such as melodramas and romantic comedies. Desperate for success after a failed drag film nearly ended his career, Cukor swore to work within Hollywood's constraints.

Nevertheless, What Price Hollywood? Gender and Sex in the Films of George Cukor finds that Cukor continued to explore gender and sexuality on-screen. Drawing on a broad array of theoretical lenses, Elyce Rae Helford examines how Cukor's award-winning films—titles including My Fair Lady and The Philadelphia Story—as well as his lesser-known films engage Hollywood masculinity and gender performativity through camp, drag, and mixed genres. Blending biography with critical analysis of more than twenty-five films, What Price Hollywood? tells the story of a once-in-a-generation director who produced some of the best films in history.

À propos de l'auteur :
Elyce Rae Helford is professor of English at Middle Tennessee State University. She is coeditor of Liminal Noir in Classical World Cinema and The Woman Fantastic in Contemporary American Media Culture.

Revue de Presse :
One would think little could be added to the vast literature on George Cukor, but Helford manages to add more than a little in this wide-ranging, rigorous, and highly readable analysis of one of Hollywood's most intriguing and endearing directors.
-Vincent Brook, lecturer, University of California, Los Angeles, and coeditor of From Shtetl to Stardom: Jews and Hollywood
Helford presents a series of critical case studies of George Cukor's films through the lens of queer, feminist, and intersectional theory, making a significant and fresh contribution to scholarship. Deeply researched, yet clear and accessible, What Price Hollywood? appeals to nonspecialist readers as well as students of media, American, and Jewish studies.
-Nathan Abrams, author of Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film

Helford's study of George Cukor is a major addition to criticism on one of classic Hollywood's most prolific and successful directors. Though the book delivers on its promise to examine how Cukor handled issues surrounding sex and gender, What Price Hollywood? ranges widely through the oeuvre, boasting rich readings of Cukor's films and engaging with many of the theoretical topics that have fruitfully occupied film scholars in recent years.
-R. Barton Palmer, coeditor of George Cukor: Hollywood Master

Needless to say, if you want an authoritative and fresh look at George Cukor's films, look no further than What Price Hollywood?
-Edge Media Network

An extraordinarily informative and deftly presented study of one of the truly outstanding Hollywood film directors of the 20th Century. -Midwest Book Review

Voir le site internet de l'éditeur University Press of Kentucky

Voir la filmographie complète de George Cukor sur le site IMDB ...

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