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Familiar and Foreign
Identity in Iranian Film and Literature (livre en anglais)
Sous la direction de Veronica Thompson et Manijeh Mannani
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Description de l'ouvrage :
The current political climate of confrontation between Islamist regimes and Western governments has resulted in the proliferation of essentialist perceptions of Iran and Iranians in the West. Such perceptions do not reflect the complex evolution of Iranian identity that occurred in the years following the Constitutional Revolution (1906–11) and the anti-imperialist Islamic Revolution of 1979. Despite the Iranian government’s determined pursuance of anti-Western policies and strict conformity to religious principles, the film and literature of Iran reflect the clash between a nostalgic pride in Persian tradition and an apparent infatuation with a more Eurocentric modernity. In Familiar and Foreign, Mannani and Thompson set out to explore the tensions surrounding the ongoing formulation of Iranian identity by bringing together essays on poetry, novels, memoir, and films. These include both canonical and less widely theorized texts, as well as works of literature written in English by authors living in diaspora.
Challenging neocolonialist stereotypes, these critical excursions into Iranian literature and film reveal the limitations of collective identity as it has been configured within and outside of Iran. Through the examination of works by, among others, the iconic female poet Forugh Farrokhzad, the expatriate author Goli Taraqqi, the controversial memoirist Azar Nafisi, and the graphic novelist Marjane Satrapi, author of Persepolis, this volume engages with the complex and contested discourses of religion, patriarchy, and politics that are the contemporary product of Iran’s long and revolutionary history.
À propos des auteurs :
Veronica Thompson is an associate professor of English and dean of the Faculty of Humanities and Social Sciences at Athabasca University. Manijeh Mannani is the chair of the Centre for Humanities and an associate professor of English and comparative literature at Athabasca University, as well as adjunct professor of comparative literature at the University of Alberta.
Voir le site internet de l'éditeur Athabasca University Press
> Sur un thème proche :
Iranian Cinema with Psychoanalysis (2024)
The Interpreter of Desires
Racial Blackness and Indian Ocean Slavery (2023)
Iran's Cinematic Archive
Modern American Literature and Contemporary Iranian Cinema (2022)
Identity, Appropriation, and Recontextualization
Iranian National Cinema (2021)
The Interaction of Policy, Genre, Funding and Reception
Popular Iranian Cinema before the Revolution (2019)
Family and Nation in Filmfarsi
Iranian Cinema in a Global Context (2018)
Policy, Politics, and Form
Dir. Peter Decherney et Blake Atwood
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