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Troubling Masculinities

Terror, Gender, and Monstrous Others in American Film Post-9/11 (livre en anglais)

de Glen Donnar

Type
Etudes
Sujet
Sociologie
Mots Clés
masculinité, 21e siècle
Année d'édition
2020
Editeur
University Press of Mississippi
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 248 pages
16 x 24 cm
ISBN
978-1-4968-2858-3
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Description de l'ouvrage :
Troubling Masculinities: Terror, Gender, and Monstrous Others in American Film Post-9/11 is the first multigenre study of representations of masculinity following the emergence of violent terror as a plot element in American cinema after September 11, 2001. Across a broad range of subgenres--including disaster melodrama, monster movies, postapocalyptic science fiction, discovered footage and home invasion horror, action-thrillers, and frontier westerns--author Glen Donnar examines the impact of "terror-Others," from Arab terrorists to giant monsters, especially in relation to cinematic representations in earlier periods of national turmoil.
Donnar demonstrates that the reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Taking up critical arguments about Hollywood's attempts to resolve male crisis through Orientalizing figures of terror, he shows how this failure reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they are supposed to be fighting.
Donnar concludes that interrelated anxieties about masculinity and nationhood continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, the volume offers an important counternarrative to this supposedly unprecedented moment in American history.

À propos de l'auteur :
Glen Donnar is senior lecturer in the School of Media and Communication at RMIT University. His work has appeared in such publications as Senses of Cinema, Journal of Popular Culture, and Celebrity Studies.

Voir le site internet de l'éditeur University Press of Mississippi

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