Les livres en français sont sur www.livres-cinema.info
MENU   

The Colored Cartoon

Black Presentation in American Animated Short Films, 1907-1954 (livre en anglais)

de Christopher P. Lehman

Type
Etudes
Sujet
GenreAnimation
Mots Clés
animation, questions raciales, racisme
Année d'édition
2009
Editeur
University of Massachusetts Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 152 pages
15 x 23 cm
ISBN
978-1-55849-779-5
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
From the introduction of animated film in the early 1900s to the 1950s, ethnic humor was a staple of American-made cartoons. Yet as Christopher Lehman shows in this revealing study, the depiction of African Americans in particular became so inextricably linked to the cartoon medium as to influence its evolution through those five decades. He argues that what is in many ways most distinctive about American animation reflects white animators' visual interpretations of African American cultural expression.

The first American animators drew on popular black representations, many of which were caricatures rooted in the culture of southern slavery. During the 1920s, the advent of the sound-synchronized cartoon inspired animators to blend antebellum-era black stereotypes with the modern black cultural expressions of jazz musicians and Hollywood actors. When the film industry set out to desexualize movies through the imposition of the Hays Code in the early 1930s, it regulated the portrayal of African Americans largely by segregating black characters from others, especially white females. At the same time, animators found new ways to exploit the popularity of African American culture by creating animal characters like Bugs Bunny who exhibited characteristics associated with African Americans without being identifiably black.

By the 1950s, protests from civil rights activists and the growing popularity of white cartoon characters led animators away from much of the black representation on which they had built the medium. Even so, animated films today continue to portray African American characters and culture, and not necessarily in a favorable light.

Drawing on a wide range of sources, including interviews with former animators, archived scripts for cartoons, and the films themselves, Lehman illustrates the intimate and unmistakable connection between African Americans and animation.Choice

À propos de l'auteur :
Christopher P. Lehman is associate professor of ethnic studies at Saint Cloud State University and author of American Animated Cartoons of the Vietnam Era

Revue de Presse :
"Drawing on interviews with top animators, archived scripts, the films themselves, and secondary literature, Lehman's fascinating study is comprehensive, meticulous, and well written. Serious students and researchers, animation fans, and film buffs will find the information in this book invaluable. Summing up: Essential."—CHOICE

Voir le site internet de l'éditeur University of Massachusetts Press

> Du même auteur :

American Animated Cartoons of the Vietnam Era:A Study of Social Commentary in Films and Television Programs, 1961–1973

American Animated Cartoons of the Vietnam Era (2006)

A Study of Social Commentary in Films and Television Programs, 1961–1973

de Christopher P. Lehman

Sujet : Genre > Animation

> Sur un thème proche :

Race and the Animated Bodyscape:Constructing and Ascribing a Racialized Asian Identity in Avatar and Korra

Race and the Animated Bodyscape (2023)

Constructing and Ascribing a Racialized Asian Identity in Avatar and Korra

de Francis M. Agnoli

Sujet : Un Film > Avatar: le dernier maître de l'air (série TV)

Chinese Animation:Multiplicities in Motion

Chinese Animation (2025)

Multiplicities in Motion

Dir. Daisy Yan Du, John A. Crespi et Yiman Wang

Sujet : Genre > Animation

Surrealism and Animation:Transnational Connections, 1920-Present

Surrealism and Animation (2025)

Transnational Connections, 1920-Present

Dir. Abigail Susik

Sujet : Genre > Animation

Rediscovered Classics of Japanese Animation:The Adaptation of Children's Novels into the World Masterpiece Theater Series

Rediscovered Classics of Japanese Animation (2025)

The Adaptation of Children's Novels into the World Masterpiece Theater Series

de Maria Chiara Oltolini

Sujet : Genre > Animation

Hanna-Barbera, the Recorded History:From Modern Stone Age to Meddling Kids

Hanna-Barbera, the Recorded History (2024)

From Modern Stone Age to Meddling Kids

de Greg Ehrbar

Sujet : Genre > Animation

Animation in Croatia:Zagreb School and Beyond

Animation in Croatia (2024)

Zagreb School and Beyond

de Midhat Ajanović

Sujet : Genre > Animation

Childhood in Animation:Navigating a Secret World

Childhood in Animation (2024)

Navigating a Secret World

de Jane Batkin

Sujet : Genre > Animation

Contemporary Hollywood Animation:Style, Storytelling, Culture and Ideology Since the 1990s

Contemporary Hollywood Animation (2023)

Style, Storytelling, Culture and Ideology Since the 1990s

de Noel Brown

Sujet : Genre > Animation

11794 livres recensés   •   (c)2024-2025 cinemabooks.info   •