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Folk horror on film:Return of the British repressed

Folk horror on film (2025)

Return of the British repressed

Dir. Kevin J. Donnelly et Louis Bayman

Sujet : Genre > Horreur

A New Heritage of Horror:The English Gothic Cinema

A New Heritage of Horror (2024)

The English Gothic Cinema

de David Pirie

Sujet : Genre > Horreur

Hammer and Beyond:The British Horror Film

Hammer and Beyond (2021)

The British Horror Film

de Peter Hutchings et Johnny Walker

Sujet : Genre > Horreur

Frightmares:A History of British Horror Cinema

Frightmares (2016)

A History of British Horror Cinema

de Ian Cooper

Sujet : Genre > Horreur

Contemporary British Horror Cinema:Industry, Genre and Society

Contemporary British Horror Cinema (2015)

Industry, Genre and Society

de Johnny Walker

Sujet : Genre > Horreur

Beyond Hammer:British Horror Cinema Since 1970

Beyond Hammer (2009)

British Horror Cinema Since 1970

de James Rose

Sujet : Genre > Horreur

Censored Screams:The British Ban on Hollywood Horror in the Thirties

Censored Screams (2006)

The British Ban on Hollywood Horror in the Thirties

de Tom Johnson

Sujet : Genre > Horreur

Uneasy Dreams:The Golden Age of British Horror Films, 1956–1976

Uneasy Dreams (2006)

The Golden Age of British Horror Films, 1956–1976

de Gary A. Smith

Sujet : Genre > Horreur

Transnationalism and Genre Hybridity in New British Horror Cinema

(livre en anglais)

de Lindsey Decker

Type
Etudes
Sujet
GenreHorreur
Mots Clés
horreur, Grande-Bretagne, années 2000, mondial
Année d'édition
2021
Editeur
University of Wales Press
Collection
Horror Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 288 pages
14 x 21,5 cm
ISBN
978-1-78683-698-4
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Description de l'ouvrage :
As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a global and local framework. Taking the British horror resurgence of the 2000s as case study, genre studies are here combined with close formal analysis to argue that embracing transnational genre hybridity enabled the boom; starting in 2002, the resurgence saw British horror film production outpace the golden age of British horror. Yet, resurgence films like 28 Days Later and Shaun of the Dead had to reckon with horror’s vilified status in the UK, a continuation of attitudes perpetuated by middle-brow film critics who coded horror as dangerous and Americanised. Moving beyond British cinema studies’ focus on the national, this book also presents a fresh take on long-standing issues in British cinema, including genre and film culture.

À propos de l'auteur :
Lindsey Decker is Master Lecturer of International Film Studies in the Department of Film & Television at Boston University.

Voir le site internet de l'éditeur University of Wales Press

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