Les livres en français sont sur www.livres-cinema.info
MENU   

Creativity and Copyright

Legal Essentials for Screenwriters and Creative Artists (livre en anglais)

de John L. Geiger et Howard Suber

Type
Ouvrage didactique
Sujet
TechniqueEcriture
Mots Clés
écriture, juridique
Année d'édition
2019
Editeur
University of California Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 216 pages
14 x 21 cm
ISBN
978-0-520-30353-9
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
What they won't teach you in film school: This expertly written reference guide breaks down copyright laws for screenwriters.

Inspired by Strunk & White's The Elements of Style, this elegant, short reference is the perfect guide for screenwriters and creative artists looking to succeed as industry professionals. Readers will quickly understand the laws that govern creativity, idea-making, and selling, and learn how to protect themselves and their works from the legal quagmires they may encounter. Written by an unrivaled pair of experts, John L. Geiger and Howard Suber, who use real-life case studies to cover topics such as clearance, contracts, collaboration, and infringement, Creativity and Copyright is poised to become an indispensable resource for beginners and experts alike.

À propos des auteurs :
John L. Geiger is a screenwriter and intellectual property attorney in Los Angeles with thirty-plus years of litigation and transactional experience representing a broad variety of entertainment professionals including screenwriters, producers, directors, and actors.

Howard Suber has taught generations of screenwriters, directors, producers, and film scholars during his more than fifty years at UCLA’s celebrated film school. He has also been a consultant and expert witness for Hollywood studios and networks on copyright and creative control matters.

Revue de Presse :
"A screenwriter seeking a basic understanding of the most important legal issues that pertain to the field will likely find Creativity and Copyright useful and readable."— Publishing Research Quarterly


"A must read for those who create original work and want to understand the line between copyrighted material and what they create."—Mike Medavoy, film producer and former studio head, whose filmography ranges from Rocky to Black Swan

"Creativity and Copyright is the grail you will never find in film school. Although written with the writer in mind, I would easily argue it's also a must-know for filmmakers, producers, managers—a no-regrets resource that finally reveals the creative power to be unleashed by your own legal muscle."—Demetra J. MacBride, producer of Mystery Train, Night on Earth, When Pigs Fly, Coffee and Cigarettes, and Dead Man

“A handy, user-friendly book for screenwriters who are looking for immediate, precise answers to their most pressing questions.”—Denise Mann, head of the UCLA School of Theater, Film and Television’s Producers Program

“All aspiring and working screenwriters should keep this book next to their computers.”—Daniel Bernardi, author of Off the Page: Screenwriting in the Era of Media Convergence

“Somehow Geiger and Suber make crystal clear a topic every writer struggles to understand. Put it on your bookshelf next to the dictionary and thesaurus; it could save you from heartbreak, broken friendships, and financial ruin. Oh, and it’s also a great read."—Daniel Pyne, showrunner, screenwriter, and author

“Geiger and Suber provide the most comprehensive and accessible guide to the legal realities and avoidable missteps in the business—as well as how not to get ripped off!"—Writer-director Robin Russin, coauthor of Screenplay: Writing the Picture

“I can’t imagine anyone else approaching this material more capably or in such a reader-friendly manner.”—Tom Nunan, producer of Crash and The Illusionist

Voir le site internet de l'éditeur University of California Press

> Sur un thème proche :

Legal Stories:Narrative-Based Property Development in the Modern Copyright Era

Legal Stories (2024)

Narrative-Based Property Development in the Modern Copyright Era

de Gregory Steirer

Sujet : Technique > Ecriture

Rem Koolhaas as Scriptwriter:OMA Architecture Script for West Berlin

Rem Koolhaas as Scriptwriter (2025)

OMA Architecture Script for West Berlin

de Helena Huber-Doudová

Sujet : Technique > Ecriture

Scriptnotes:A Book About Screenwriting and Things That Are Interesting to Screenwriters

Scriptnotes (2025)

A Book About Screenwriting and Things That Are Interesting to Screenwriters

de John August et Craig Mazin

Sujet : Technique > Ecriture

Beyond the Monoplot:How to Write Unconventional Films (and Why We Should)

Beyond the Monoplot (2025)

How to Write Unconventional Films (and Why We Should)

de Chris Neilan

Sujet : Technique > Ecriture

Museum Exhibitions and Suspense:The Use of Screenwriting Techniques in Curatorial Practice

Museum Exhibitions and Suspense (2024)

The Use of Screenwriting Techniques in Curatorial Practice

de Ariane Karbe

Sujet : Technique > Ecriture

Short Film Screenwriting:A Craft Guide and Anthology

Short Film Screenwriting (2024)

A Craft Guide and Anthology

de Austin Bunn

Sujet : Technique > Ecriture

11822 livres recensés   •   (c)2024-2025 cinemabooks.info   •