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Sur un thème proche :

The Othering of Women in Silent Film:Cultural, Historical, and Literary Contexts

The Othering of Women in Silent Film (2023)

Cultural, Historical, and Literary Contexts

de Barbara Tepa Lupack

Sujet : Cinéma muet

The Birth of Whiteness:Race and the Emergence of United States Cinema

The Birth of Whiteness (1996)

Race and the Emergence of United States Cinema

Dir. Daniel Leonard Bernardi

Sujet : Cinéma muet

Forgeries of Memory and Meaning:Blacks and the Regimes of Race in American Theater and Film before World War II

Forgeries of Memory and Meaning (2007)

Blacks and the Regimes of Race in American Theater and Film before World War II

de Cedric J. Robinson

Sujet : Pays > Etats-Unis

Writing Himself Into History:Oscar Micheaux, His Silent Films, and His Audiences

Writing Himself Into History (2000)

Oscar Micheaux, His Silent Films, and His Audiences

de Pearl Bowser et Louise Spence

Sujet : Réalisateur > Oscar Micheaux

Velvet Curtains and Gilded Frames:The Art of Early European Cinema

Velvet Curtains and Gilded Frames (2025)

The Art of Early European Cinema

de Vito Adriaensens

Sujet : Cinéma muet

Fire and Desire

Mixed-Race Movies in the Silent Era (livre en anglais)

de Jane M. Gaines

Type
Etudes
Sujet
Cinéma muet
Mots Clés
cinéma muet, questions raciales
Année d'édition
2001
Editeur
University of Chicago Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 352 pages
15 x 23 cm
ISBN-10
ISBN-13
0-226-27875-1
978-0-226-27875-9
Appréciation
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Description de l'ouvrage :
In the silent era, American cinema was defined by two separate and parallel industries, with white and black companies producing films for their respective, segregated audiences. Jane Gaines’s highly anticipated new book reconsiders the race films of this era with an ambitious historical and theoretical agenda.

Fire and Desire offers a penetrating look at the black independent film movement during the silent period. Gaines traces the profound influence that D. W. Griffith’s racist epic The Birth of a Nation exerted on black filmmakers such as Oscar Micheaux, the director of the newly recovered Within Our Gates. Beginning with What Happened in the Tunnel, a movie that played with race and sex taboos by featuring the first interracial kiss in film, Gaines also explores the cinematic constitution of self and other through surprise encounters: James Baldwin sees himself in the face of Bette Davis, family resemblance is read in Richard S. Robert’s portrait of an interracial family, and black film pioneer George P. Johnson looks back on Micheaux.

Given the impossibility of purity and the co-implication of white and black, Fire and Desire ultimately questions the category of "race movies" itself.

Voir le site internet de l'éditeur University of Chicago Press

> Du même auteur :

Pink-Slipped:What Happened to Women in the Silent Film Industries?

Pink-Slipped (2018)

What Happened to Women in the Silent Film Industries?

de Jane M. Gaines

Sujet : Histoire du cinéma

Classical Hollywood Narrative:The Paradigm Wars

Classical Hollywood Narrative (1992)

The Paradigm Wars

Dir. Jane M. Gaines

Sujet : Pays > Etats-Unis

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