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Sustainable Resilience in Women's Film and Video Organizations:A Counter-Lineage in Moving Image History

Sustainable Resilience in Women's Film and Video Organizations (2024)

A Counter-Lineage in Moving Image History

de Rosanna Maule

Sujet : Sociologie

Beyond the Public Sphere:Film and the Feminist Imaginary

Beyond the Public Sphere (2020)

Film and the Feminist Imaginary

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Sujet : Sociologie

Feminisms:Diversity, Difference and Multiplicity in Contemporary Film Cultures

Feminisms (2016)

Diversity, Difference and Multiplicity in Contemporary Film Cultures

Dir. Laura Mulvey et Anna Backman Rogers

Sujet : Sociologie

Home Front Heroes:The Rise of a New Hollywood Archetype, 1988–1999

Home Front Heroes (2013)

The Rise of a New Hollywood Archetype, 1988–1999

de Elizabeth Abele

Sujet : Sociologie

Chick Flicks:Theories and Memories of the Feminist Film Movement

Chick Flicks (1998)

Theories and Memories of the Feminist Film Movement

de B. Ruby Rich

Sujet : Sociologie

Italian Political Cinema:Figures of the Long '68

Italian Political Cinema (2023)

Figures of the Long '68

de Mauro Resmini

Sujet : Genre > Politique

Marco Bellocchio:The Cinematic I in the Political Sphere

Marco Bellocchio (2010)

The Cinematic I in the Political Sphere

de Clodagh J. Brook

Sujet : Réalisateur > Marco Bellocchio

Misreading Postmodern Antigone

Marco Bellocchio's Devil in the Flesh (Diavolo in Corpo) (livre en anglais)

de Jan Jagodzinski

Type
Etudes
Sujet
Un FilmLe Diable au corps
Mots Clés
Marco Bellocchio, sociologie, féminisme
Année d'édition
2011
Editeur
Intellect Books
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 158 pages
18 x 23 cm
ISBN
978-1-84150-361-5
Appréciation
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Description de l'ouvrage :
In the mid-1980s, film director Marco Bellocchio and renegade psychoanalyst Massimo Fagioli cowrote The Devil in the Flesh, a politically and sexually charged film illustrating some of Fagioli’s controversial theories. Echoing the anti-Lacanian sentiment popularized by Gilles Deleuze, the film is perhaps best remembered for a scene in which the character Andrea misreads a section of the famous Greek tragedy Antigone. But this scene has itself been frequently misread, opening up the text to questions of feminism, politics, and the representation of Antigone—a figure frequently used and abused in feminist politics. Displaying considerable analytic depth, Misreading Postmodern Antigone considers these divergent readings and what they have to tell us about contemporary society.

Voir le site internet de l'éditeur Intellect Books

Voir la fiche de Le Diable au corps (1986) sur le site IMDB ...

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