Open Roads, Closed Borders
The Contemporary French-Language Road Movie (livre en anglais)
Sous la direction de Michael Gott et Thibaut Schilt
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Description de l'ouvrage :
This is the first collection of essays about French-language road movies, a particularly rich yet critically neglected cinematic category. These films, the contributors argue, offer important perspectives on contemporary French ideas about national identity, France’s former colonies, Europe, and the rest of the world. Taken together, the essays illustrate how travel and road motifs have enabled directors of various national origins and backgrounds to reimagine space and move beyond simple oppositions such as Islam and secularism, local and global, home and away, France and Africa, and East and West.
Revue de Presse :
“Open Roads, Closed Borders constitutes a fresh criticism on the intersection of cinema, economy, and politics. This valuable compilation rests on a thesis of the hegemony of capitalism, which consists in opening the world for some, while closing the world for others. . . . Undoubtedly, this is one of the best books this reviewer has ever read on mobility-related issues.”
Annals of Tourism Research
Voir le site internet de l'éditeur Intellect Books
> Des mêmes auteurs :
The Films of Rachid Bouchareb (2020)
Dir. Michael Gott et Leslie Kealhofer-Kemp
Sujet : Réalisateur > Rachid Bouchareb
Cinéma-monde (2018)
Decentred Perspectives on Global Filmmaking in French
Dir. Michael Gott et Thibaut Schilt
> Sur un thème proche :
Past Forward (2010)
French Cinema and the Post-Colonial Heritage
From Empire to the World (2015)
Migrant London and Paris in the Cinema
de Malini Guha
Sujet : Sociologie
Reframing the European Other (2023)
Identity and Belonging in Contemporary French and German Cinema
Post-beur Cinema (2013)
North African Émigré and Maghrebi-French Filmmaking in France since 2000
de Will Higbee
Screening Integration (2012)
Recasting Maghrebi Immigration in Contemporary France
de Sylvie Durmelat et Vinay Swamy