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Sur un thème proche :

La mise en scène du corps sportif:Spotlighting the Sporting Body

La mise en scène du corps sportif (2003)

Spotlighting the Sporting Body

de Laurent Guido et Gianni Haver
(en français et anglais)

Sujet : Généralités

Downtime:The Twentieth Century in Slow Motion

Downtime (2025)

The Twentieth Century in Slow Motion

de Mark Goble

Sujet : Théorie

The Lure of the Image:Epistemic Fantasies of the Moving Camera

The Lure of the Image (2021)

Epistemic Fantasies of the Moving Camera

de Daniel Morgan

Sujet : Théorie

Gesture and Film:Signalling New Critical Perspectives

Gesture and Film (2020)

Signalling New Critical Perspectives

Dir. Nicholas Chare et Liz Watkins

Sujet : Théorie

Deleuze's Cinema Books:Three Introductions to the Taxonomy of Images

Deleuze's Cinema Books (2016)

Three Introductions to the Taxonomy of Images

de David Deamer

Sujet : Théorie

Cinema I:The Movement-Image

Cinema I (2013)

The Movement-Image

de Gilles Deleuze

Sujet : Théorie

Performance Projections

Film and the Body in Action (livre en anglais)

de Stephen Barber

Type
Etudes
Sujet
Théorie
Mots Clés
mouvement, corps
Année d'édition
2014
Editeur
Reaktion Books
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 255 pages
12,5 x 21 cm
ISBN
978-1-78023-369-7
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Description de l'ouvrage :
Film does far more than document performance—it actively recreates the time and space of performance and overhauls its rapport with the viewer’s eye and body. The first book to look in-depth at the intersection of film and performance in relation to issues and theories of space, Performance Projections travels from the origins of film in Europe and the United States to the world of digital media today, exploring the dynamic relationship between these vitally connected ideas.

Drawing from a wide range of examples—including filmic depictions of German and Japanese and Chinese performance art and street cultures—Stephen Barber argues that the act of filming has the power to draw distinctively performative dimensions out of unruly human gatherings, such as riots and political protests, while also accentuating the outlandish and aberrant aspects of performance. Spanning the history of film, Barber moves from performance in film’s formative years, such as Edward Muybridge’s work in the 1880s, to contemporary performance artworks—for example, Rabih Mroué’s investigations of the often lethal camera phone filming of snipers in Syrian cities. Proposing that the future conception of filmed performance needs to be radically expanded in response to the transformations of digital film cultures, Performance Projections is a critical addition to the literature on both film and art history.

Voir le site internet de l'éditeur Reaktion Books

> Du même auteur :

Abandoned Images:Film and Film's End

Abandoned Images (2010)

Film and Film's End

de Stephen Barber

Sujet : Economie

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