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Reading the Cinematograph

The Cinema in British Short Fiction, 1896-1912 (livre en anglais)

Sous la direction de Andrew Shail

Type
Etudes
Sujet
PaysGrande-Bretagne
Mots Clés
Grande-Bretagne, débuts du cinéma, revue
Année d'édition
2011
Editeur
University of Exeter Press
Collection
Exeter Studies in Film History
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 336 pages
15,5 x 23,5 cm
ISBN
978-0-85989-854-6
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Description de l'ouvrage :
The birth of cinema coincided with the heyday of the short story. This book studies the relationship between popular magazine short stories and the very early British films. It pairs eight intriguing short stories on cinema with eight new essays unveiling the rich documentary value of the original fiction and using the stories as touchstones for a discussion of the popular culture of the period during which cinema first developed. The short stories are by authors ranging from the notable (Rudyard Kipling and Sax Rohmer) to the unknown (Raymond Rayne and Mrs. H.J. Bickle); their endearing tributes to the new cinematograph chart its development from unintentional witness to entertainment institution.

À propos de l'auteur :
Andrew Shail is Lecturer in Film at Newcastle University.

Revue de Presse :
As entertaining as it is edifying, Reading the Cinematograph showcases the transformative presence - and role - of cinema in British short fiction at the turn of the twentieth century. Andrew Shail has devised a marvelous format for the occasion; eight stories, reprinted in full and accompanied by their original illustration, followed by valuable critical commentary by eminent film scholars, and framed by Shail's indispensable historical/ critical introduction and sure editorial hand. A work of impeccable and imaginative scholarship...
Maria DiBattista, Professor of English and Chair of the Film Studies Committee, Princeton University, and author of Fast Talking Dames (Yale UP)


… the volume sustains an unbroken fascination with the wider implications of emergent cinematic technologies and modes of representation. It accurately reflects the widely felt cultural significances that were attributed to moving pictures and therefore will be valuable reading for cultural historians of the period as well as historians of cinema.Victorian Studies

Voir le site internet de l'éditeur University of Exeter Press

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