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Chinese Face/off
The Transnational Popular Culture Of Hong Kong (livre en anglais)
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Description de l'ouvrage :
Analyzing pop culture as a reflection of complex identities forged against a global backdrop
Jackie Chan's high-flying stunts, giant pandas, and even the unintentionally hilarious English subtitles that often accompany Hong Kong's films are among the many targets of Kwai-Cheung Lo's in-depth study of Hong Kong popular culture.
Drawing on current concepts of globalization as well as the theories of Jacques Lacan and Slavoj Zizek, Chinese Face/Off explores the way in which fantasy operates in relation to ethnic and national identity. The book offers a critical perspective for approaching the question of cultural otherness by problematizing what it means to be Chinese and explaining how Hong Kong popular culture serves as an imaginary screen for its many compatriots seeking to understand what it means to be "Chinese" in a global age.
Examining topics including film, newspaper culture, theme parks, and kung-fu comics as well as the interaction of the Hong Kong film industry with Hollywood, Lo uncovers Hong Kong's importantly "transnational" identity defined in terms of complex relationships with mainland China, other diasporic communities (like Taiwan), and the West.
À propos de l'auteur :
Kwai-Cheung Lo is an associate professor with the Department of English Language and Literature at Hong Kong Baptist University.
Revue de Presse :
"By revealing a temporal, porous, and fluid Chineseness in Hong Kong, Lo adds a critical perspective on identity consciousness in this globalizing world. Recommended."--Choice
Voir le site internet de l'éditeur University of Illinois Press
> Du même auteur :
> Sur un thème proche :
Beyond Bruce Lee (2013)
Chasing the Dragon Through Film, Philosophy, and Popular Culture
de Paul Bowman
Two Lenses on the Korean Ethos (2015)
Key Cultural Concepts and Their Appearance in Cinema
Past Forward (2010)
French Cinema and the Post-Colonial Heritage
The Cinematic ImagiNation (2003)
Indian Popular Films as Social History
Heimat - A German Dream (2000)
Regional Loyalties and National Identity in German Culture 1890-1990
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