Les livres en français sont sur www.livres-cinema.info
MENU   

Documentary Time

Film and Phenomenology (livre en anglais)

de Malin Wahlberg

Type
Etudes
Sujet
Théorie
Mots Clés
théorie, documentaire, philosophie
Année d'édition
2008
Editeur
University of Minnesota Press
Collection
Visible Evidence
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 192 pages
18 x 25,5 cm
ISBN
978-0-8166-4969-3
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg’s sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. The configuration of time is crucial in organizing the sensory affects of film in general but, as Wahlberg adroitly demonstrates, in nonfiction films the problem of managing time is writ large by the moving image’s interaction with social memory and historical figures.

Wahlberg discusses a thought-provoking corpus of classical and recent experiments in film and video (including Andy Warhol’s films) in which creative approaches to the time of the image and the potential archive memory of filmic representation illuminates meanings of temporality and time experience. She also offers a methodological account of film and brings Deleuze and Ricoeur into dialogue with Bazin and Mitry on the subject of cinema and phenomenology.

Drawing attention to the cultural significance of the images’ imprint as a trace of the past, Documentary Time brings to bear phenomenological inquiry on nonfiction film while at the same time reconsidering the existential dimensions of time that have always puzzled humans.

Malin Wahlberg is a research fellow in cinema studies at Stockholm University.

Voir le site internet de l'éditeur University of Minnesota Press

> Sur un thème proche :

Film, Negation and Freedom:Capitalism and Romantic Critique

Film, Negation and Freedom (2025)

Capitalism and Romantic Critique

de Will Kitchen

Sujet : Théorie

Film Figures:An Organological Approach

Film Figures (2025)

An Organological Approach

de Warwick Mules

Sujet : Théorie

Haunting the World:Essays on Film After Perkins and Cavell

Haunting the World (2025)

Essays on Film After Perkins and Cavell

de Dominic Lash

Sujet : Théorie

Cinema of/for the Anthropocene:Affect, Ecology, and More-Than-Human Kinship

Cinema of/for the Anthropocene (2025)

Affect, Ecology, and More-Than-Human Kinship

Dir. Katarzyna Paszkiewicz et Andrea Ruthven

Sujet : Théorie

The Morph-Image:The Subjunctive Synthesis of Time

The Morph-Image (2024)

The Subjunctive Synthesis of Time

de Steen Ledet Christiansen

Sujet : Théorie

Cinecepts, Deleuze, and Godard-Miéville:Developing Philosophy through Audiovisual Media

Cinecepts, Deleuze, and Godard-Miéville (2023)

Developing Philosophy through Audiovisual Media

de Jakob A. Nilsson

Sujet : Théorie

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •