Les livres en français sont sur www.livres-cinema.info
Afterimages of Gilles Deleuze's Film Philosophy
(livre en anglais)
Sous la direction de D. N. Rodowick
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.
The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research.
Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.
À propos de l'auteur :
D. N. Rodowick is professor of visual and environmental studies and director of Graduate Studies in Film and Visual Studies at Harvard University. He is the author of many books, including The Virtual Life of Film and Gilles Deleuze’s Time Machine.
Voir le site internet de l'éditeur University of Minnesota Press
> Du même auteur :
The Difficulty of Difference (2015)
Psychoanalysis, Sexual Difference and Film Theory
Sujet : Sociologie
The Crisis of Political Modernism (1995)
Criticism and Ideology in Contemporary Film Criticism
Sujet : L'analyse de films
> Sur un thème proche :
Cinecepts, Deleuze, and Godard-Miéville (2023)
Developing Philosophy through Audiovisual Media
Sujet : Théorie
Deleuze's Cinema Books (2016)
Three Introductions to the Taxonomy of Images
de David Deamer
Sujet : Théorie
Retour
