Les livres en français sont sur www.livres-cinema.info
MENU   

The Cinema, Or The Imaginary Man

(livre en anglais)

de Edgar Morin

Type
Essais
Sujet
Sociologie
Mots Clés
philosophie
Année d'édition
2005
Editeur
University of Minnesota Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 336 pages
12,5 x 20,5 cm
ISBN-10
ISBN-13
0-8166-4038-6
978-0-8166-4038-6
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
A classic work exploring the nexus of the cinematic image and the human mind—at last available in English!

When The Cinema, or The Imaginary Man first appeared in 1956, the movies and the moviegoing experience were generally not regarded as worthy of serious scholarly consideration. Yet, French critic and social theorist Edgar Morin perceived in the cinema a complex phenomenon capable of illuminating fundamental truths about thought, imagination, and human nature - which allowed him to connect the mythic universe of gods and spirits present within the most primitive societies to the hyperreality emanating from the images projected on the screen. Now making its English-language debut, this audacious, provocative work draws on insights from poets, filmmakers, anthropologists, and philosophers to restore to the cinema the sense of magic first enjoyed at the dawn of the medium. Morin's inquiry follows two veins of investigation. The first focuses on the cinematic image as the nexus between the real and the imaginary; the second examines the cinema's re-creation of the archaic universe of doubles and ghosts and its power to possess, to bewitch, to nourish dreams, desires, and aspirations. "We experience the cinema in a state of double consciousness," Morin writes, "an astonishing phenomenon where the illusion of reality is inseparable from the awareness that it is really an illusion."

Voir le site internet de l'éditeur University of Minnesota Press

> Du même auteur :

> Sur un thème proche :

Iconoclasm in European Cinema:The Ethics and Aesthetics of Image Destruction

Iconoclasm in European Cinema (2025)

The Ethics and Aesthetics of Image Destruction

de Chiara Quaranta

Sujet : Sociologie

Narrative, Film, and Identity:How Cinema Impacts the Meaning of Life

Narrative, Film, and Identity (2025)

How Cinema Impacts the Meaning of Life

de William Pamerleau

Sujet : Sociologie

Intermedialities:Political Theory and Cinematic Experience

Intermedialities (2024)

Political Theory and Cinematic Experience

de Davide Panagia

Sujet : Sociologie

Is Harpo Free?:And Other Questions of the Metaphysical Screen

Is Harpo Free? (2024)

And Other Questions of the Metaphysical Screen

de Matthew Cipa

Sujet : Sociologie

Negative Life:The Cinema of Extinction

Negative Life (2024)

The Cinema of Extinction

de Steven Swarbrick et Jean-Thomas Tremblay

Sujet : Sociologie

Celluloid Mischief:Deviance and Crime on the Silver Screen

Celluloid Mischief (2023)

Deviance and Crime on the Silver Screen

de Erich Goode

Sujet : Sociologie

Ethics of Cinematic Experience:Screens of Alterity

Ethics of Cinematic Experience (2021)

Screens of Alterity

de Orna Raviv

Sujet : Sociologie

11794 livres recensés   •   (c)2024-2025 cinemabooks.info   •