Les livres en français sont sur www.livres-cinema.info
MENU   

The Understructure of Writing for Film and Television

(livre en anglais)

de Ben Brady et Lance Lee

Type
Ouvrage didactique
Sujet
TechniqueEcriture
Mots Clés
écriture
Année d'édition
1988
Editeur
University of Texas Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 282 pages
15,5 x 22,5 cm
ISBN-10
ISBN-13
0-292-78515-1
978-0-292-78515-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer. Based on their experience as professional writers and as teachers in a large, successful screenwriting program at California State University, Northridge, the authors provide a progression of assignments at manageable screenwriting lengths for beginners. They lead students through development of a premise, treatment, stepsheet, and, finally, miniscreenplay—essential elements in writing a longer script.

A major feature of the text is the use of many example scenes from contemporary and classic American films, such as On the Waterfront, Kramer vs. Kramer, The Godfather, The Graduate, Tootsie, and more. Other scenes are drawn from international films and dramatic literature. The criticism of these scenes invites students to develop their own comparative models, while simultaneously providing exposure to the central analytical terms of good dramatic writing.

The authors also place screenwriting within the larger tradition of dramatic writing in order to put the beginning writer in touch with the wealth of art, experience, and practical ideas the drama contains. They provide an up-to-date, practical discussion of marketing and copywriting a screenplay, with addresses of relevant professional societies. Most importantly, they never offer an ill-advised shortcut or restrict students to only one way of thinking about a character, situation, or scene. In The Understructure of Writing for Film & Television, the student's thought and creativity are central.

Voir le site internet de l'éditeur University of Texas Press

> Des mêmes auteurs :

> Sur un thème proche :

Rem Koolhaas as Scriptwriter:OMA Architecture Script for West Berlin

Rem Koolhaas as Scriptwriter (2025)

OMA Architecture Script for West Berlin

de Helena Huber-Doudová

Sujet : Technique > Ecriture

Beyond the Monoplot:How to Write Unconventional Films (and Why We Should)

Beyond the Monoplot (2025)

How to Write Unconventional Films (and Why We Should)

de Chris Neilan

Sujet : Technique > Ecriture

Scriptnotes:A Book About Screenwriting and Things That Are Interesting to Screenwriters

Scriptnotes (2025)

A Book About Screenwriting and Things That Are Interesting to Screenwriters

de John August et Craig Mazin

Sujet : Technique > Ecriture

Museum Exhibitions and Suspense:The Use of Screenwriting Techniques in Curatorial Practice

Museum Exhibitions and Suspense (2024)

The Use of Screenwriting Techniques in Curatorial Practice

de Ariane Karbe

Sujet : Technique > Ecriture

We Have Some Notes...:The Insider's Guide to Notes, Script Editing and Development

We Have Some Notes... (2024)

The Insider's Guide to Notes, Script Editing and Development

de Venetia Hawkes

Sujet : Technique > Ecriture

The Short:Personal Writing Tools to Free the Imagination

The Short (2024)

Personal Writing Tools to Free the Imagination

de Rae Shaw

Sujet : Technique > Ecriture

Screenwriting:The Sequence Approach

Screenwriting (2024)

The Sequence Approach

de Paul Joseph Gulino

Sujet : Technique > Ecriture

11811 livres recensés   •   (c)2024-2025 cinemabooks.info   •