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Reframing the Past:History, Film and Television

Reframing the Past (2016)

History, Film and Television

de Mia Treacey

Sujet : Genre > Historique

The Adaptation of History:Essays on Ways of Telling the Past

The Adaptation of History (2012)

Essays on Ways of Telling the Past

Dir. Laurence Raw et Defne Ersin Tutan

Sujet : Genre > Historique

American History Goes to the Movies:Hollywood and the American Experience

American History Goes to the Movies (2010)

Hollywood and the American Experience

de W. Bryan Rommel Ruiz

Sujet : Genre > Historique

Cinéma et histoire:Cinema and history

Cinéma et histoire (2007)

Cinema and history

Dir. Melvyn Stokes et Gilles Menegaldo
(en français et anglais)

Sujet : Genre > Historique

The Columbia Companion to American History on Film:How the Movies Have Portrayed the American Past

The Columbia Companion to American History on Film (2004)

How the Movies Have Portrayed the American Past

Dir. Peter C. Rollins

Sujet : Genre > Historique

Change Mummified:Cinema, Historicity, Theory

Change Mummified (2001)

Cinema, Historicity, Theory

de Philip Rosen

Sujet : Théorie

Edna Ferber's Hollywood

American Fictions of Gender, Race, and History (livre en anglais)

de J. E. Smyth

Type
Etudes
Sujet
PersonnalitéEdna Ferber
Mots Clés
Edna Ferber, Histoire du monde, scénariste, film historique
Année d'édition
2009
Editeur
University of Texas Press
Collection
Texas Film and Media Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 351 pages
15,5 x 23 cm
ISBN
978-0-292-72563-8
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Description de l'ouvrage :
Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century—the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era—among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences.

In Edna Ferber's Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider—a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past.

À propos de l'auteur :
J. E. Smyth holds a Ph.D. in Film Studies and American Studies from Yale University. She teaches at the University of Warwick (UK) and is the author of Reconstructing American Historical Cinema: From Cimarron to Citizen Kane.

Voir le site internet de l'éditeur University of Texas Press

Voir la filmographie complète de Edna Ferber sur le site IMDB ...

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