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Chris Marker
(livre en anglais)
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Description de l'ouvrage :
Best known in the United States for his visionary short film La Jetée, Chris Marker spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s. His distinctive style and use of still images place him among the postwar era's most influential European filmmakers. His fearless political cinema, meanwhile, provided a bold model for other activist filmmakers.
Nora M. Alter investigates the core themes and motivations behind an unpredictable and transnational career that defies easy classification. A photographer, multimedia artist, writer, broadcaster, producer, and organizer, Marker cultivated an artistic dynamism and always-changing identity. ""I am an essayist,"" Marker once said, and his 1953 debut filmic essay The Statues Also Die (with Alain Resnais) exposed the European art market's complicity in atrocities in the former Belgian Congo. Ranging geographically as well as artistically, Marker's travels led to films like the classic Sans Soleil and Sunday in Peking. His decades-long struggle against global injustice involved him with Night and Fog, Le Joli Mai, Far from Vietnam, Le fond du l'air est Rouge, and Prime Time in the Camps.
Insightful and revealing, Chris Marker includes interviews with the notoriously private director.
Voir le site internet de l'éditeur University of Illinois Press
Voir la filmographie complète de Chris Marker sur le site IMDB ...
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The Ethnographic Optic (2024)
Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Haunting the Left Bank (2022)
Mortality and Intersubjectivity in Varda, Resnais and Marker
Sujet : Théorie
Black and Blue (2012)
The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour
de Carol Mavor
Sujet : Théorie
The Oneiric in the Films of David Lynch (2026)
A Phenomenological Approach
Sujet : Réalisateur > David Lynch
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