Shadow Cinema

The Historical and Production Contexts of Unmade Films (livre en anglais)

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Sous la direction de James Fenwick, Kieran Foster et David Eldridge

Type: Récits
Sujet: Les Films > Films perdus/non faits
Mots Clés: films non tournés
Année d'édition: 2022
Editeur: Bloomsbury Academic
1ere édition: 2020
Langue: anglais

Taille du livre

Format

Broché • 280 pages
15 x 23 cm

ISBN

978-1-5013-7096-0

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Description de l'ouvrage :
Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short, or even made and never distributed – a “shadow cinema” that exists only in the archives.

This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why 'failures' occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area of empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen, and unknown history of cinema.

À propos des auteurs :
Kieran Foster is an AHRC funded PhD student at De Montfort University, UK. His research focuses on the British Company Hammer's Films unmade projects. He has published in peer-reviewed journals, with an piece on Hammer's failed adaptation Vlad the Impaler appearing in the Journal of Adaptation in Film and Performance. He has also co-written a chapter on an unmade Loch-Ness monster film- Nessie, for a recently published book entitled Beasts of the Deep: Sea Creatures in Popular Culture. In 2016, he presented the keynote at the Bram Stoker Film Festival in Whitby, and helped organise the Hammer Film Exhibtion at De Montfort University, where over its 12 month run, he did a number of public talks and tours on Hammer's unmade films. Last July, he was part of a DMU Global/AHRC funded 12-day research trip to the Margaret Herrick and Warner Brothers Archive in Los Angeles.David Eldridge is senior lecturer in American Studies at the University of Hull, UK. He is the author of Hollywood's History Films (2008) and is currently working on a monograph concerning the impact that censorship has had on the American film industry's representations of the past. His other publications on this subject include “Some Like It Hot and the Virtues of Not Taking History Too Seriously” in Hollywood and the American Historical Film, ed. J.E Smyth (2012), and “Bennett, Breen and the Birdman of Alcatraz,” in Film History 28.2 (2016).

Revue de Presse :
"This important volume will help to consolidate a rapidly growing area of research in Film Studies and related disciplines. The authors do not only provide outlines of individual films that could have been, but, more fundamentally, investigate the financial, legal, creative, political and logistical difficulties of getting films into production and onto screens. Their chapters deal, often in a wholly surprising manner, with familiar names (ranging from David O'Selznick and Hammer Films to Jean-Luc Godard and Ritwik Ghatak) and also with a wealth of lesser known personnel and companies." ―Peter Krämer, author of BFI Film Classics on 2001: A Space Odyssey (2020), Dr. Strangelove (2014) and The General (2016)

Voir le site internet de l'éditeur Bloomsbury Academic

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