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Mexican Screen Fiction
Between Cinema and Television (livre en anglais)
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Description de l'ouvrage :
Mexican cinema is booming today, a decade after the international successes of Amores perros and Y tu mamá también. Mexican films now display a wider range than any comparable country, from art films to popular genre movies, and boasting internationally renowned directors like Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro. At the same time, television has broadened its output, moving beyond telenovelas to produce higher-value series and mini-series. Mexican TV now stakes a claim to being the most dynamic and pervasive national narrative.
This new book by Paul Julian Smith is the first to examine the flourishing of audiovisual fiction in Mexico since 2000, considering cinema and TV together. It covers much material previously unexplored and engages with emerging themes, including violence, youth culture, and film festivals. The book includes reviews of ten films released between 2001 and 2012 by directors who are both established (Maryse Sistach, Carlos Reygadas) and new (Jorge Michel Grau, Michael Rowe, Paula Markovitch). There is also an appendix that includes interviews carried out by the author in 2012 with five audiovisual professionals: a feature director, a festival director, an exhibitor, a producer, and a TV screenwriter.
Mexican Screen Fiction will be an invaluable resource for students and scholars and essential reading for anyone interested in one of the most vibrant audiovisual industries in the world today.
À propos de l'auteur :
Paul Julian Smith is Distinguished Professor in the Hispanic and Luso-Brazilian Program at the Graduate Center in City University of New York.
Revue de Presse :
''Combining insightful readings of key films with social science approaches to issues of production, distribution, exhibition and audience response, Paul Julian Smith’s Mexican Screen Fiction ventures beyond the boundaries of traditional film studies to offer a probing and wide ranging study of Mexico’s dynamic audiovisual sector.''
Kathleen Vernon, Stony Brook University
''With his latest book, Paul Julian Smith not only offers valuable insights into contemporary Mexican screen fiction, bringing together both film and TV, which are located in their industrial, critical, cultural and historical contexts. Researched and written with evident pleasure, he provides us with an innovative paradigm for thinking about screen media in the twenty-first century.''
Andrea Noble, Durham University
Voir le site internet de l'éditeur Polity
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> Sur un thème proche :
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Filmmakers and Protagonists of the Twenty-First Century
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Spectacle Every Day / Espectáculo a diario (2023)
Essays on classical Mexican cinema 1940-1969
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(en anglais et espagnol)
The White Indians of Mexican Cinema (2022)
Racial Masquerade throughout the Golden Age
Mexico Unmanned (2022)
The Cultural Politics of Masculinity in Mexican Cinema
The Lost Cinema of Mexico (2022)
From Lucha Libre to Cine Familiar and Other Churros
Dir. Olivia Cosentino et Brian Price
Tastemakers and Tastemaking (2021)
Mexico and Curated Screen Violence
Legacies of the Past (2020)
Memory and Trauma in Mexican Visual and Screen Cultures
Dir. Niamh Thornton et Miriam Haddu
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